Part 28 (1/2)

”I will abandon my notion when the German surgeon tells me it is mad. Not before.”

”Have you said anything about it to Oscar?”

”Not a word. I shall say nothing about it to anybody but you, until the German is safe on the sh.o.r.es of England.”

”Do you expect him to arrive before the marriage?”

”Certainly! He would have left New York with me, but for one patient who still required his care. No new patients will tempt him to stay in America. His extraordinary success has made his fortune. The ambition of his life is to see England: and he can afford to gratify it. He may be here by the next steamer that reaches Liverpool.”

”And when he does come, you mean to bring him to Dimchurch?”

”Yes--unless Lucilla objects to it.”

”Suppose Oscar objects? She is resigned to be blind for life. If you disturb that resignation with no useful result, you may make an unhappy woman of her for the rest of her days. In your brother's place, I should object to running that risk.”

”My brother is doubly interested in running the risk. I repeat what I have already told you. The physical result will not be the only result, if her sight can be restored. There will be a new mind put into her as well as a new sense. Oscar has everything to dread from this morbid fancy of hers as long as she is blind. Only let her eyes correct her fancy--only let her see him as we see him, and get used to him, as we have got used to him; and Oscar's future with her is safe. Will you leave things as they are for the present, on the chance that the German surgeon may get here before the wedding-day?”

I consented to that; being influenced, in spite of myself, by the remarkable coincidence between what Nugent had just said of Lucilla, and what Lucilla had said to me of herself earlier in the day. It was impossible to deny that Nugent's theory, wild as it sounded, found its confirmation, so far, in Lucilla's view of her own case. Having settled the difference between us in this way, for the time being, I s.h.i.+fted our talk next to the difficult question of Nugent's relations towards Lucilla. ”How are you to meet her again,” I said, ”after the effect you produced on her at the meeting to-day?”

He spoke far more pleasantly in discussing this side of the subject. His language and his manner both improved together.

”If I could have had my own way,” he said, ”Lucilla would have been relieved, by this time, of all fear of meeting with me again. She would have heard from you, or from Oscar, that business had obliged me to leave Dimchurch.”

”Does Oscar object to let you go?”

”He won't hear of my going. I did my best to persuade him--I promised to return for the marriage. Quite useless! 'If you leave me here by myself,'

he said, 'to think over the mischief I have done, and the sacrifices I have forced on you--you will break my heart. You don't know what an encouragement your presence is to me; you don't know what a blank you will leave in my life if you go!' I am as weak as Oscar is, when Oscar speaks to me in that way. Against my own convictions, against my own wishes, I yielded. I should have been better away--far, far better away!”

He said those closing words in a tone that startled me. It was nothing less than a tone of despair. How little I understood him then! how well I understand him now! In those melancholy accents, spoke the last of his honor, the last of his truth. Miserable, innocent Lucia! Miserable, guilty Nugent!

”And now you remain at Dimchurch,” I resumed, ”what are you to do?”

”I must do my best to spare her the nervous suffering which I unwillingly inflicted on her to-day. The morbid repulsion that she feels in my presence is not to be controlled--I can see that plainly. I shall keep out of her way; gradually withdrawing myself, so as not to force my absence on her attention. I shall pay fewer and fewer visits at the rectory, and remain longer and longer at Browndown every day. After they are married----” He suddenly stopped; the words seemed to stick in his throat. He busied himself in relighting his cigar, and took a long time to do it.

”After they are married,” I repeated. ”What then?”

”When Oscar is married, Oscar will not find my presence indispensable to his happiness. I shall leave Dimchurch.”

”You will have to give a reason.”

”I shall give the true reason. I can find no studio here big enough for me--as I have told you. And, even if I could find a studio, I should be doing no good, if I remained at Dimchurch. My intellect would contract, my brains would rust, in this remote place. Let Oscar live his quiet married life here. And let me go to the atmosphere that is fitter for me--the atmosphere of London or Paris.”

He sighed, and fixed his eyes absently on the open hilly view from the summer-house door.

”It's strange to see _you_ depressed,” I said. ”Your spirits seemed to be quite inexhaustible on that first evening when you interrupted Mr. Finch over _Hamlet._”

He threw away the end of his cigar, and laughed bitterly.

”We artists are always in extremes,” he said. ”What do you think I was wis.h.i.+ng just before you spoke to me?”