Part 1 (2/2)

_Portrait frontispiece._ Probably the portrait mentioned by Vasari as painted in 1502. In the Prado Gallery, Madrid. Size: 2 ft. 10 in. by 2 ft. 1-1/2 in.

1. _The Physician Parma._ It appears that there is no direct testimony to prove the authors.h.i.+p of this picture, the attribution to t.i.tian having been made by an early director of the gallery, following certain evidence from Rudolfi. Herr Wickhoff claims the picture for Domenico Campagnola, and the recent biographer of Giorgione (Herbert Cook) includes it among the works of that painter. The attribution to t.i.tian is, however, not disputed by the two severest of modern critics, Morelli and Berenson. In the Vienna Gallery. Size: 3 ft. 6 in. by 2 ft. 7 in.

2. _The Presentation of the Virgin (Detail)._ Painted for the brotherhood of S. Maria della Carita, and now in the Venice Academy.

Date a.s.signed by Berenson 1540. Size of entire picture: 11 ft. 5 in. by 25 ft. 6-1/2 in.

3. _The Empress Isabella._ Probably one of the two pictures referred to in a letter of 1544 from t.i.tian to Charles V. In the Prado Gallery, Madrid. Size: 3 ft. 10 in. by 3 ft. 2-1/2 in.

4. _Madonna and Child with Saints._ An early work in the Vienna Gallery, similar to a picture in the Louvre, to which it is considered superior by Crowe and Cavalcaselle. Called an ”atelier repet.i.tion” by Claude Phillips. Size: 3 ft. 5 in. by 4 ft. 3 in.

5. _Philip II._ Painted 1550, and now in the Prado Gallery, Madrid.

Size: 6 ft. 4 in. by 3 ft. 7-3/4 in.

6. _St. Christopher._ Painted in fresco on the wall of the Doge's Palace, Venice, in honor of the arrival of the French army at San Cristoforo (near Milan), 1523. Ordered by the doge Andrea Gritti, who was a partisan of the French.

7. _Lavinia._ Painted about 1550, and now in the Berlin Gallery. Size: 3 ft. 3-1/2 in. by 2 ft. 7-1/2 in.

8. _Christ of the Tribute Money._ According to Vasari, painted for Duke Alfonso of Ferrara in 1514 for door of a press. a.s.signed by Crowe and Cavalcaselle to the year 1518, the date accepted by Morelli. In the Dresden Gallery. Size: 2 ft. 5-1/2 in. by 1 ft. 10 in.

9. _The Bella._ Painted about 1535. In the Pitti Gallery, Florence.

Size: 3 ft. 3-1/2 in. by 2 ft. 6 in.

10. _Medea and Venus._ Date unknown, but fixed approximately by Morelli between 1510 and 1512. In the Borghese Gallery, Rome. Size: 3 ft. 5 in.

by 8 ft. 8 in.

11. _The Man with the Glove._ a.s.signed to t.i.tian's middle period. In the Louvre, Paris. Size: 3 ft. 3-1/3 in. by 2 ft. 11 in.

12. _The a.s.sumption of the Virgin (Detail)._ Ordered 1516 for high altar of S. Maria Gloriosa de' Frari, Venice. Shown to public, March 20, 1518.

Now in the Venice Academy. Size: 22 ft. 9 in. by 11 ft. 10-1/2 in.

13. _Flora._ Painted after 1523. In the Uffizi Gallery, Florence. Size: 3 ft. 8-1/2 in. by 3 ft. 1-1/2 in.

14. _The Pesaro Madonna._ Finished in 1526 after being seven years in process. Still in original place in the Church of the Frari, Venice.

15. _St. John the Baptist._ Painted in 1556. In the Venice Academy.

Size: 6 ft. 5 in. by 4 ft. 5 in.

IV. OUTLINE TABLE OF THE PRINc.i.p.aL EVENTS IN t.i.tIAN'S LIFE.[4]

1477. t.i.tian born at Cadore in the Friuli, north of Venice.

Circa 1488. Removal to Venice.

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