Part 11 (2/2)
”Do not throw yourself into any more fevers,” she says; ”life is too short, and sorrow too long.”
Eleanor is soon attired in green velvet and fur, for Mrs. Mounteagle declares it is necessary to be smart at the b.u.t.terflies' Club.
They drive away together in the widow's snug little brougham.
Herbert Dallison is waiting outside the club door to receive them; he starts, colours, and stares at Eleanor as Giddy introduces him.
”Say 'how do you do?' prettily,” she cries in a bantering tone, ”and don't gape like an overgrown school-boy, if you love me, Bertie!”
Mr. Dallison holds out a limp hand in a grey glove, smiles feebly, and thinks of the ”relics” and the cat!
”Why are you not at the Junior Conservative?” murmurs Eleanor, laughing softly, ”instead of dangling round the 'b.u.t.terflies'?”
”Ah! you remember my card.”
”Yes, I have it still. I hope you will make Giddy a good husband,”
speaking demurely.
”I ought to, after all I've gone through for her sake. It is a mercy I have come back alive after my illnesses, and the dangerous young people I met on the Continent.”
”Let me introduce you to our coming member, the b.u.t.terfly that is to be,”
says Giddy, and Eleanor turns to face Carol Quinton.
Mrs. Mounteagle laughs merrily at her astonished look.
”I did not tell you he was coming, but now we are just a cosy quartette.”
”I am afraid,” murmurs Mr. Quinton, ”that my visit to your charming home the other evening was ill-timed. Mr. Roche seemed somewhat taken aback by my presence.”
”Yes,” stammers Eleanor, growing red.
”I was so vexed _you_ should be annoyed,” he replies, ”that I could not go home, but paced the pavement for an hour, watching the light in your window.”
Eleanor's eyes expand. She has a way of looking ”surprise” without saying it, and the look lasts quite a long while, during which an ordinary person would have expressed their feelings several times over.
Then the wonderment fades like a magic-lantern slide, and she talks of something else.
”Have you ever seen the sun burst suddenly through a fog? It is like your smile,” says Carol, gazing into Eleanor's face. ”Why don't you always smile?”
”Because I am not always happy,” she responds quietly.
A pained expression steals into the man's eyes, and Eleanor flushes rosy under his look. It is deep, searching, admiring; it confuses her. She wants to push it away like something oppressive, a funeral veil dark and heavy, or a chloroformed handkerchief, stifling breath!
”Not happy!”
The words break from him with bitter irony.
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