Part 11 (1/2)

”The matter,” explained Ithiel, ”must be laid before the Court of Curators, which will decide upon it to-morrow. Meanwhile, as we are talking here, I see no harm if my niece chooses to work a lump of clay, which can be broken up later should the Court in its wisdom refuse your request.”

”I hope for its own sake that the Court in its wisdom will not be such a fool,” muttered Marcus to himself; adding aloud, ”Lady, where shall I place myself? You will find me the best of sitters. Have I not the great Glaucus for a friend--until I show him this work of yours?”

”If you will, sir, be seated on that stool and be pleased to look towards me.”

”I am your servant,” said Marcus, in a cheerful voice; and the sitting began.

CHAPTER VIII

MARCUS AND CALEB

On the morrow, as he had promised, Ithiel brought this question of whether or no Miriam was to be allowed to execute a bust of the centurion, Marcus, before the Court of the Curators of the Essenes, who were accustomed thus to consider questions connected with their ward's welfare in solemn conclave. There was a division of opinion. Some of them saw no harm; others, more strait-laced, held that it was scarcely correct that a Roman whose principles, doubtless, were lax, should be allowed to sit to the lady whom they fondly called their child. Indeed, it seemed dubious whether the leave would be given, until a curator, with more worldly wisdom than the rest, suggested that as the captain seemed desirous of having his picture taken in stone, under the circ.u.mstances of his visit, which included a commission to make a general report upon their society to the authorities, it might be scarcely wise to deny his wish. Finally, a compromise was effected. It was agreed that Miriam should be permitted to do the work, but only in the presence of Ithiel and two other curators, one of them her own instructor in art.

Thus it came about that when Marcus presented himself for the second time, at an hour fixed by Ithiel, he found three white-bearded and white-robed old gentlemen seated in a row in the workshop, and behind them, a smile on her dusky face, Nehushta. As he entered they rose and bowed to him, a compliment which he returned. Now Miriam appeared, to whom he made his salutation.

”Are these,” he said, indicating the elders, ”waiting their turn to be modelled, or are they critics?”

”They are critics,” said Miriam drily, as she lifted the damp cloths from the rude lump of clay.

Then the work began. As the three curators were seated in a line at the end of the shed, and did not seem to think it right to leave their chairs, they could see little of its details, and as they were early risers and the afternoon was hot, soon they were asleep, every one of them.

”Look at them,” said Marcus; ”there is a subject for any artist.”

Miriam nodded, and taking three lumps of clay, working deftly and silently, presently produced to his delighted sight rough but excellent portraits of these admirable men, who, when they woke up, laughed at them very heartily.

Thus things went on from day to day. Each afternoon the elders attended, and each afternoon they sank to slumber in their comfortable chairs, an example that Nehushta followed, or seemed to follow, leaving Miriam and her model practically alone. As may be guessed, the model, who liked conversation, did not neglect these opportunities. Few were the subjects which the two of them failed to discuss. He told her of all his life, which had been varied and exciting, omitting, it is true, certain details; also of the wars in which he had served, and the countries that he had visited. She in turn told him the simple story of her existence among the Essenes, which he seemed to find of interest. When these subjects were exhausted they discussed other things--the matter of religion, for instance. Indeed, Miriam ventured to expound to him the principles of her faith, to which he listened respectfully and with attention.

”It sounds well,” he said at length with a sigh, ”but how do such maxims fit in with this world of ours? See now, lady, I am not old, but already I have studied so many religions. First, there are the G.o.ds of Greece and Rome, my own G.o.ds, you understand--well, the less said of them the better. They serve, that is all. Then there are the G.o.ds of Egypt, as to which I made inquiry, and of them I will say this: that beneath the grotesque cloak of their wors.h.i.+p seems to s.h.i.+ne some spark of a holy fire. Next come the G.o.ds of the Ph?nicians, the fathers of a hideous creed. After them the flame wors.h.i.+ppers and other kindred religions of the East. There remain the Jews, whose doctrine seems to me a savage one; at least it involves bloodshed with the daily offering of blood.

Also they are divided, these Jews, for some are Pharisees, some Sadducees, some Essenes. Lastly, there are you Christians, whose faith is pure enough in theory, but whom all unite against in hate. What is the worth of a belief in this crucified Preacher who promises that He will raise those who trust in Him from the dead?”

”That you will find out when everything else has failed you,” answered Miriam.

”Yes, it is a religion for those whom everything else has failed. When that chances to the rest of us we commit suicide and sink from sight.”

”And we,” she said proudly, ”rise to life eternal.”

”It may be so, lady, it may be so; but let us talk of something more cheerful,” and he sighed. ”At present, I hold that nothing is eternal--except perhaps such art as yours.”

”Which will be forgotten in the first change of taste, or crumbled in the first fire. But see, he is awake. Come here, my master, and work this nostril, for it is beyond me.”

The old artist advanced and looked at the bust with admiration.

”Maid Miriam,” he said, ”I used to have some skill in this art, and I taught you its rudiments; but now, child, I am not fit to temper your clay. Deal with the nostril as you will; I am but a hodman who bears the bricks, you are the heaven-born architect. I will not meddle, I will not meddle; yet perhaps----” and he made a suggestion.

”So?” said Miriam, touching the clay with her tool. ”Oh, look! it is right now. You are clever, my master.”

”It was always right. I may be clever, but you have genius, and would have found the fault without any help from me.”

”Did I not say so?” broke in Marcus triumphantly.