Part 2 (2/2)

”Fellow right in front of us,” the driver said to the pa.s.sengers. He was trying to speak loudly and calmly, but there was a tremor of amazement, something like awe, in his voice. ”Just plowed across the road and into the ditch. We'll be on our way again as soon as we can, and in the meantime please don't get out of the bus.”

As if she had not heard that, or had some special right to be useful, Doree got out behind him. He did not reprimand her.

”G.o.dd.a.m.n a.s.shole,” he said as they crossed the road, and there was nothing in his voice now but anger and exasperation. ”G.o.dd.a.m.n a.s.shole kid, can you believe it?”

The boy was lying on his back, arms and legs flung out, like somebody making an angel in the snow. Only there was gravel around him, not snow. His eyes were not quite closed. He was so young, a boy who had shot up tall before he even needed to shave. Possibly without a driver's license.

The driver was talking on his phone.

”Mile or so south of Bayfield, on Twenty-one, east side of the road.”

A trickle of pink foam came out from under the boy's head, near the ear. It did not look like blood at all, but like the stuff you skim off from strawberries when you're making jam.

Doree crouched down beside him. She laid a hand on his chest. It was still. She bent her ear close. Somebody had ironed his s.h.i.+rt recently-it had that smell.

No breathing.

But her fingers on his smooth neck found a pulse.

She remembered something she'd been told. It was Lloyd who had told her, in case one of the children had an accident and he wasn't there. The tongue. The tongue can block the breathing, if it has fallen into the back of the throat. She laid the fingers of one hand on the boy's forehead and two fingers of the other hand under his chin. Press down on the forehead, press up the chin, to clear the airway. A slight but firm tilt.

If he still didn't breathe she would have to breathe into him.

She pinches the nostrils, takes a deep breath, seals his mouth with her lips, and breathes. Two breaths and check. Two breaths and check.

Another male voice, not the driver's. A motorist must have stopped. ”You want this blanket under his head?” She shook her head slightly. She had remembered something else, about not moving the victim, so that you do not injure the spinal cord. She enveloped his mouth. She pressed his warm fresh skin. She breathed and waited. She breathed and waited again. And a faint moisture seemed to rise against her face.

The driver said something but she could not look up. Then she felt it for sure. A breath out of the boy's mouth. She spread her hand on the skin of his chest and at first she could not tell if it was rising and falling because of her own trembling.

Yes. Yes.

It was a true breath. The airway was open. He was breathing on his own. He was breathing.

”Just lay it over him,” she said to the man with the blanket. ”To keep him warm.”

”Is he alive?” the driver said, bending over her.

She nodded. Her fingers found the pulse again. The horrible pink stuff had not continued to flow. Maybe it was nothing important. Not from his brain.

”I can't hold the bus for you,” the driver said. ”We're behind schedule as it is.”

The motorist said, ”That's okay. I can take over.”

Be quiet, be quiet, she wanted to tell them. It seemed to her that silence was necessary, that everything in the world outside the boy's body had to concentrate, help it not to lose track of its duty to breathe.

Shy but steady whiffs now, a sweet obedience in the chest. Keep on, keep on.

”You hear that? This guy says he'll stay and watch out for him,” the driver said. ”Ambulance is coming as fast as they can.”

”Go on,” Doree said. ”I'll hitch a ride to town with them and catch you on your way back tonight.”

He had to bend to hear her. She spoke dismissively, without raising her head, as if she were the one whose breath was precious.

”You sure?” he said.

Sure.

”You don't have to get to London?”

No.

Fiction

I.

The best thing in winter was driving home, after her day teaching music in the Rough River schools. It would already be dark, and on the upper streets of the town snow might be falling, while rain lashed the car on the coastal highway. Joyce drove beyond the limits of the town into the forest, and though it was a real forest with great Douglas firs and cedar trees, there were people living in it every quarter mile or so. There were some people who had market gardens, a few who had some sheep or riding horses, and there were enterprises like Jon's-he restored and made furniture. Also the services advertised beside the road, and more particular to this part of the world-tarot readings, herbal ma.s.sage, conflict resolution. Some people lived in trailers; others had built their own houses, incorporating thatched roofs and log ends, and still others, like Jon and Joyce, were renovating old farmhouses.

There was the one special thing Joyce loved to see as she was driving home and turning in to their own property. At this time many people, even some of the thatched-roof people, were putting in what were called patio doors-even if like Jon and Joyce they had no patio. These were usually left uncurtained, and the two oblongs of light seemed to be a sign or pledge of comfort, of safety and replenishment. Why this should be so, more than with ordinary windows, Joyce could not say. Perhaps it was that most were meant not just to look out on but to open directly into the forest darkness, and that they displayed the haven of home so artlessly. Full-length people cooking or watching television-scenes which beguiled her, even if she knew things would not be so special inside.

What she saw when she turned in to her own unpaved puddled driveway was the set of these doors put in by Jon, framing the gutted glowing interior of their house. The stepladder, the unfinished kitchen shelves, exposed stairs, warm wood lit up by the lightbulb that Jon positioned to s.h.i.+ne wherever he wanted it, wherever he was working. He worked all day in his shed, and then when it began to get dark he sent his apprentice home and started working on the house. Hearing her car, he would turn his head in Joyce's direction just for a moment, in greeting. Usually his hands would be too busy to wave. Sitting there, with the car lights off, gathering up whatever groceries or mail she had to take into the house, Joyce was happy even to have that last dash to the door, through the dark and the wind and the cold rain. She felt herself shedding the day's work, which was harried and uncertain, filled with the dispensing of music to the indifferent as well as the responsive. How much better to work with wood and by yourself-she did not count the apprentice-than with the unpredictable human young.

She didn't say any of that to Jon. He disliked hearing people talk about how basic and fine and honorable it was to work with wood. What integrity that had, what dignity.

He would say, c.r.a.p.

Jon and Joyce had met at an urban high school in a factory city in Ontario. Joyce had the second-highest IQ in their cla.s.s, and Jon had the highest IQ in the school and probably in that city. She was expected to turn into a fine performer on the violin-that was before she gave it up for the cello-and he was to become some daunting sort of scientist whose labors were beyond description in the ordinary world.

In their first year at college they dropped out of their cla.s.ses and ran away together. They got jobs here and there, travelled by bus across the continent, lived for a year on the Oregon coast, were reconciled, at a distance, with their parents, for whom a light had gone out in the world. It was getting rather late in the day for them to be called hippies, but that was what their parents called them. They never thought of themselves that way. They did not do drugs, they dressed conservatively though rather shabbily, and Jon made a point of shaving and getting Joyce to cut his hair. They tired of their temporary minimum-wage jobs after a while and borrowed from their disappointed families so that they could qualify to make a better living. Jon learned carpentry and woodworking, and Joyce got a degree that made her eligible to teach music in the schools.

The job she got was in Rough River. They bought this tumbledown house for almost nothing and settled into to a new phase in their lives. They planted a garden, got to know their neighbors-some of whom were still real hippies, tending small grow operations deep in the bush and making bead necklaces and herb sachets to sell.

Their neighbors liked Jon. He was still skinny and bright eyed, egotistical but ready to listen. And it was a time when most people were just getting used to computers, which he understood and could patiently explain. Joyce was less popular. Her methods of teaching music were thought to be too formalized.

Joyce and Jon cooked supper together and drank some of their homemade wine. (Jon's method of winemaking was strict and successful.) Joyce talked about the frustrations and comedy of her day. Jon did not talk much-he was, for one thing, more involved in the cooking. But when they got around to eating he might tell her about some customer who had come in, or about his apprentice, Edie. They would laugh about something Edie had said. But not in a disparaging way-Edie was like a pet, Joyce sometimes thought. Or like a child. Though if she had been a child, their child, and had been the way she was, they might have been too puzzled and perhaps too concerned to laugh.

Why? What way? She wasn't stupid. Jon said she was no genius when it came to woodworking, but she learned and remembered what she was taught. And the important thing was that she wasn't garrulous. That was what he had been most afraid of when the business of hiring an apprentice had come up. A government program had been started-he was to be paid a certain amount for teaching the person, and whoever it was would be paid enough to live on while learning. At first he hadn't been willing, but Joyce had talked him into it. She believed they had an obligation to society.

Edie might not have talked a lot, but when she did talk it was forceful.

”I abstain from all drugs and alcohol” was what she told them at her first interview. ”I belong to AA and I am a recovering alcoholic. We never say we are recovered, because we never are. You never are as long as you live. I have a nine-year-old daughter and she was born without a father so she is my total responsibility and I mean to bring her up right. My ambition is to learn woodworking so I can provide for myself and my child.”

While delivering this speech she sat staring at them, one after the other, across their kitchen table. She was a short st.u.r.dy young woman who did not look old enough or damaged enough to have much of a career of dissipation behind her. Broad shoulders, thick bangs, tight ponytail, no possibility of a smile.

”And one more thing,” she said. She unb.u.t.toned and removed her long-sleeved blouse. She was wearing an unders.h.i.+rt. Both arms, her upper chest, and-when she turned around-her upper back were decorated with tattoos. It was as if her skin had become a garment, or perhaps a comic book of faces both leering and tender, beset by dragons, whales, flames, too intricate or maybe too horrid to be comprehended.

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