Part 2 (1/2)

The evening pa.s.sed away delightfully in this quaint-looking apartment, half study, half drawing-room. Scott read several pa.s.sages from the old romance of ”Arthur,” with a fine, deep sonorous voice, and a gravity of tone that seemed to suit the antiquated, black-letter volume. It was a rich treat to hear such a work, read by such a person, and in such a place; and his appearance as he sat reading, in a large armed chair, with his favorite hound Maida at his feet, and surrounded by books and relics, and border trophies, would have formed an admirable and most characteristic picture.

While Scott was reading, the sage grimalkin, already mentioned, had taken his seat in a chair beside the fire, and remained with fixed eye and grave demeanor, as if listening to the reader. I observed to Scott that his cat seemed to have a black-letter taste in literature.

”Ah,” said he, ”these cats are a very mysterious kind of folk. There is always more pa.s.sing in their minds than we are aware of. It comes no doubt from their being so familiar with witches and warlocks.” He went on to tell a little story about a gude man who was returning to his cottage one night, when, in a lonely out-of-the-way place, he met with a funeral procession of cats all in mourning, bearing one of their race to the grave in a coffin covered with a black velvet pall. The worthy man, astonished and half-frightened at so strange a pageant, hastened home and told what he had seen to his wife and children. Scarce had he finished, when a great black cat that sat beside the fire raised himself up, exclaimed ”Then I am king of the cats!” and vanished up the chimney. The funeral seen by the gude man, was one of the cat dynasty.

”Our grimalkin here,” added Scott, ”sometimes reminds me of the story, by the airs of sovereignty which he a.s.sumes; and I am apt to treat him with respect from the idea that he may be a great prince incog., and may some time or other come to the throne.”

In this way Scott would make the habits and peculiarities of even the dumb animals about him subjects for humorous remark or whimsical story.

Our evening was enlivened also by an occasional song from Sophia Scott, at the request of her father. She never wanted to be asked twice, but complied frankly and cheerfully. Her songs were all Scotch, sung without any accompaniment, in a simple manner, but with great spirit and expression, and in their native dialects, which gave them an additional charm. It was delightful to hear her carol off in sprightly style, and with an animated air, some of those generous-spirited old Jacobite songs, once current among the adherents of the Pretender in Scotland, in which he is designated by the appellation of ”The Young Chevalier.”

These songs were much relished by Scott, notwithstanding his loyalty; for the unfortunate ”Chevalier” has always been a hero of romance with him, as he has with many other staunch adherents to the House of Hanover, now that the Stuart line has lost all its terrors. In speaking on the subject, Scott mentioned as a curious fact, that, among the papers of the ”Chevalier,” which had been submitted by government to his inspection, he had found a memorial to Charles from some adherents in America, dated 1778, proposing to set up his standard in the back settlements. I regret that, at the time, I did not make more particular inquiries of Scott on the subject; the doc.u.ment in question, however, in all probability, still exists among the Pretender's papers, which are in the possession of the British Government. In the course of the evening, Scott related the story of a whimsical picture hanging in the room, which had been drawn for him by a lady of his acquaintance. It represented the doleful perplexity of a wealthy and handsome young English knight of the olden time, who, in the course of a border foray, had been captured and carried off to the castle of a hard-headed and high-handed old baron. The unfortunate youth was thrown into a dungeon, and a tall gallows erected before the castle gate for his execution.

When all was ready, he was brought into the castle hall where the grim baron was seated in state, with his warriors armed to the teeth around him, and was given his choice, either to swing on the gibbet or to marry the baron's daughter. The last may be thought an easy alternative, but unfortunately, the baron's young lady was hideously ugly, with a mouth from ear to ear, so that not a suitor was to be had for her, either for love or money, and she was known throughout the border country by the name of Muckle-mouthed Mag!

The picture in question represented the unhappy dilemma of the handsome youth. Before him sat the grim baron, with a face worthy of the father of such a daughter, and looking daggers and ratsbane. On one side of him was Muckle-mouthed Mag, with an amorous smile across the whole breadth of her countenance, and a leer enough to turn a man to stone; on the other side was the father confessor, a sleek friar, jogging the youth's elbow, and pointing to the gallows, seen in perspective through the open portal.

The story goes, that after long laboring in mind, between the altar and the halter, the love of life prevailed, and the youth resigned himself to the charms of Muckle-mouthed Mag. Contrary to all the probabilities of romance, the match proved a happy one. The baron's daughter, if not beautiful, was a most exemplary wife; her husband was never troubled with any of those doubts and jealousies which sometimes mar the happiness of connubial life, and was made the father of a fair and undoubtedly legitimate hue, which still flourishes on the border.

I give but a faint outline of the story from vague recollection; it may, perchance, be more richly related elsewhere, by some one who may retain something of the delightful humor with which Scott recounted it.

When I retired for the night, I found it almost impossible to sleep; the idea of being under the roof of Scott; of being on the borders of the Tweed, in the very centre of that region which had for some time past been the favorite scene of romantic fiction; and above all, the recollections of the ramble I had taken, the company in which I had taken it, and the conversation which had pa.s.sed, all fermented in my mind, and nearly drove sleep from my pillow.

On the following morning, the sun darted his beams from over the hills through the low lattice window. I rose at an early hour, and looked out between the branches of eglantine which overhung the cas.e.m.e.nt. To my surprise Scott was already up and forth, seated on a fragment of stone, and chatting with the workmen employed on the new building. I had supposed, after the time he had wasted upon me yesterday, he would be closely occupied this morning, but he appeared like a man of leisure, who had nothing to do but bask in the suns.h.i.+ne and amuse himself.

I soon dressed myself and joined him. He talked about his proposed plans of Abbotsford; happy would it have been for him could he have contented himself with his delightful little vine-covered cottage, and the simple, yet hearty and hospitable style, in which he lived at the time of my visit. The great pile of Abbotsford, with the huge expense it entailed upon him, of servants, retainers, guests, and baronial style, was a drain upon his purse, a tax upon his exertions, and a weight upon his mind, that finally crushed him.

As yet, however, all was in embryo and perspective, and Scott pleased himself with picturing out his future residence, as he would one of the fanciful creations of his own romances. ”It was one of his air castles,” he said, ”which he was reducing to solid stone and mortar.”

About the place were strewed various morsels from the ruins of Melrose Abbey, which were to be incorporated in his mansion. He had already constructed out of similar materials a kind of Gothic shrine over a spring, and had surmounted it by a small stone cross.

Among the relics from the Abbey which lay scattered before us, was a most quaint and antique little lion, either of red stone, or painted red, which hit my fancy. I forgot whose cognizance it was; but I shall never forget the delightful observations concerning old Melrose to which it accidentally gave rise. The Abbey was evidently a pile that called up all Scott's poetic and romantic feelings; and one to which he was enthusiastically attached by the most fanciful and delightful of his early a.s.sociations. He spoke of it, I may say, with affection.

”There is no telling,” said he, ”what treasures are hid in that glorious old pile. It is a famous place for antiquarian plunder; there are such rich bits of old time sculpture for the architect, and old time story for the poet. There is as rare picking in it as a Stilton cheese, and in the same taste--the mouldier the better.”

He went on to mention circ.u.mstances of ”mighty import” connected with the Abbey, which had never been touched, and which had even escaped the researches of Johnny Bower. The heart of Robert Bruce, the hero of Scotland, had been buried in it. He dwelt on the beautiful story of Bruce's pious and chivalrous request in his dying hour, that his heart might be carried to the Holy Land and placed in the Holy Sepulchre, in fulfilment of a vow of pilgrimage; and of the loyal expedition of Sir James Douglas to convey the glorious relic. Much might be made, he said, out of the adventures of Sir James in that adventurous age; of his fortunes in Spain, and his death in a crusade against the Moors; with the subsequent fortunes of the heart of Robert Bruce, until it was brought back to its native land, and enshrined within the holy walls of old Melrose.

As Scott sat on a stone talking in this way, and knocking with his staff against the little red lion which lay prostrate before him, his gray eyes twinkled beneath his s.h.a.gged eyebrows; scenes, images, incidents, kept breaking upon his mind as he proceeded, mingled with touches of the mysterious and supernatural as connected with the heart of Bruce. It seemed as if a poem or romance were breaking vaguely on his imagination. That he subsequently contemplated something of the kind, as connected with this subject, and with his favorite ruin of Melrose, is evident from his introduction to ”The Monastery;” and it is a pity that he never succeeded in following out these shadowy, but enthusiastic conceptions.

A summons to breakfast broke off our conversation, when I begged to recommend to Scott's attention my friend the little red lion, who had led to such an interesting topic, and hoped he might receive some niche or station in the future castle, worthy of his evident antiquity and apparent dignity. Scott a.s.sured me, with comic gravity, that the valiant little lion should be most honorably entertained; I hope, therefore, that he still flourishes at Abbotsford.

Before dismissing the theme of the relics from the Abbey, I will mention another, ill.u.s.trative of Scott's varied humors. This was a human skull, which had probably belonged of yore to one of those jovial friars, so honorably mentioned in the old border ballad:

”O the monks of Melrose made gude kale On Fridays, when they fasted; They wanted neither beef nor ale, As long as their neighbors lasted.”

This skull he had caused to be cleaned and varnished, and placed it on a chest of drawers in his chamber, immediately opposite his bed; where I have seen it, grinning most dismally. It was an object of great awe and horror to the superst.i.tious housemaids; and Scott used to amuse himself with their apprehensions. Sometimes, in changing his dress, he would leave his neck-cloth coiled round it like a turban, and none of the ”la.s.ses” dared to remove it. It was a matter of great wonder and speculation among them that the laird should have such an ”awsome fancy for an auld girning skull.”

At breakfast that morning Scott gave an amusing account of a little Highlander called Campbell of the North, who had a lawsuit of many years' standing with a n.o.bleman in his neighborhood about the boundaries of their estates. It was the leading object of the little man's life; the running theme of all his conversations; he used to detail all the circ.u.mstances at full length to everybody he met, and, to aid him in his description of the premises, and make his story ”mair preceese,” he had a great map made of his estate, a huge roll several feet long, which he used to carry about on his shoulder. Campbell was a long-bodied, but short and bandy-legged little man, always clad in the Highland garb; and as he went about with this great roll on his shoulder, and his little legs curving like a pair of parentheses below his kilt, he was an odd figure to behold. He was like little David shouldering the spear of Goliath, which was ”like unto a weaver's beam.”

Whenever sheep-shearing was over, Campbell used to set out for Edinburgh to attend to his lawsuit. At the inns he paid double for all his meals and his night's lodgings, telling the landlords to keep it in mind until his return, so that he might come back that way at free cost; for he knew, he said, that he would spend all his money among the lawyers at Edinburgh, so he thought it best to secure a retreat home again.