Part 4 (1/2)
It is much to be regretted that I could not recover full and more exact details of that celebration in which this great scholar had probably embodied his mature knowledge concerning a subject which has puzzled generations of students. But what powers of careful observation could one expect from a group of labourers and small farmers? Some of the things that reached my ears I refused to believe--the mention of pig's blood for instance, and especially the talk of certain grosser symbols, which the choir boys, it was whispered, had carried about the church in ceremonious procession. Village people have strange imaginations; and to this event, growing more and more monstrous as they talked it over, they must themselves have added this grotesque detail. However, I have written to consult an Oxford authority on this interesting point, and he has been kind enough to explain at length that although at the _Haloa_, or winter festival of the Corn-G.o.ddess, and also at the _Chloeia_, or festival in early spring, some symbolization of the reproductive powers of Nature would be proper and appropriate, it would have been quite out of place at the _Thalysia_, or autumn festival of thanksgiving. I feel certain that a solecism of this nature--the introduction into a particular rite of features not sanctioned by the texts--would have seemed a shocking thing, even to the unhinged mind of one who had always been so careful a scholar.
_Tu Quoque Fontium_
Just to sit in the Sun, to bask like an animal in its heat--this is one of my country recreations. And often I reflect what a thing after all it is still to be alive and sitting here, above all the buried people of the world, in the kind and famous Suns.h.i.+ne.
Beyond the orchard there is a place where the stream, hurrying out from under a bridge, makes for itself a quiet pool. A beech-tree upholds its green light over the blue water; and there, when I have grown weary of the sun, the great glaring indiscriminating Sun, I can shade myself and read my book. And listening to this water's pretty voices I invent for it exquisite epithets, calling it _silver-clean_ or _moss-margined_ or _nymph-frequented_, and idly promise to place it among the learned fountains and pools of the world, making of it a cool green thought for English exiles in the dust and glare of Eastern deserts.
_The Spider_
What shall I compare it to, this fantastic thing I call my Mind?
To a waste-paper basket, to a sieve choked with sediment, or to a barrel full of floating froth and refuse?
No, what it is really most like is a spider's web, insecurely hung on leaves and twigs, quivering in every wind, and sprinkled with dewdrops and dead flies. And at its centre, pondering forever the Problem of Existence, sits motionless the spider-like and uncanny Soul.
BOOK II
_”Thou, Trivia, G.o.ddess, aid my song: Through s.p.a.cious streets conduct thy bard along.”_
Gay's _Trivia, or New Art of Walking Streets of London._
_L'oiseau Bleu_
What is it, I have more than once asked myself, what is it that I am looking for in my walks about London? Sometimes it seems to me as if I were following a Bird, a bright Bird that sings sweetly as it floats about from one place to another.
When I find myself however among persons of middle age and settled principles, see them moving regularly to their offices--what keeps them going? I ask myself. And I feel ashamed of myself and my Bird.
There is though a Philosophic Doctrine--I studied it at College, and I know that many serious people believe it--which maintains that all men, in spite of appearances and pretensions, all live alike for Pleasure. This theory certainly brings portly, respected persons very near to me. Indeed with a sense of low complicity I have sometimes followed and watched a Bishop. Was he too on the hunt for Pleasure, solemnly pursuing his Bird?
_At The Bank_