Volume Ii Part 27 (1/2)

_If I make Verses, 'tis in Spight of Nature and my Stars, I write._” In another preface, after honoring his friend Taylor, of Ephemerides fame, with a considerable number of lines, he exclaims: ”Souse down into Prose again, my Muse; for Poetry's no more thy Element, than Air is that of the Flying-Fish.” And we need go no further than one of Franklin's lively letters to Polly, at which we have already glanced, to satisfy ourselves that he placed quite as low an estimate on his verses as Poor Richard did on his. Speaking of the Muse, which he mentioned in his letter as having visited him that morning, he observes in his light-hearted way:

This Muse appear'd to be no Housewife. I suppose few of them are. She was _drest_ (if the Expression is allowable) in an _Undress_, a kind of slatternly _Negligee_, neither neat nor clean, nor well made; and she has given the same sort of Dress to my Piece. On reviewing it, I would have reform'd the lines and made them all of a Length, as I am told Lines ought to be; but I find I can't lengthen the short ones without stretching them on the Rack, and I think it would be equally cruel to cut off any Part of the long ones.

Besides the Superfluity of _these_ makes up for the Deficiency of _those_; and so, from a Principle of Justice, I leave them at full Length, that I may give you, at least in one Sense of the Word, _good Measure_.

Of all the productions of Franklin, the _Autobiography_ and _Poor Richard's Almanac_, are those upon which his literary fame will chiefly rest. Of the former, we have already said too much to say much more about it. It is the only thing written by Franklin that can properly be called a book, and even it is marked by the brevity which he regarded as one of the essentials of good writing. If he did not write other books, it was not, so far as we can see, because, as has been charged, he lacked constructive capacity, but rather because, when he resorted to the pen, he did it not for literary celebrity, but for practical purposes of the hour, best subserved by brief essays or papers. It is true that in writing the early chapters of the _Autobiography_, which brought his life down to the year 1730, he was not exactly writing for the moment, but, still, the motive by which he was actuated was a purely practical one. ”They were written to my Son,” he said in a letter to Matthew Carey, ”and intended only as Information to my Family.” Even in the later chapters, which brought his life down to his fiftieth year, he still had a similar incentive to literary effort, highly congenial with the general bent of his character, that is to say, the opportunity that they afforded him to point to his business success as an example of what might be accomplished by frugality and industry. ”What is to follow,” he wrote to the Duc de la Rochefoucauld, ”will be of more important Transactions: But it seems to me that what is done will be of more general Use to young Readers; as exemplifying strongly the Effects of prudent and imprudent Conduct in the Commencement of a Life of Business.”

Two days later, he wrote to Benjamin Vaughan from Philadelphia that he was diligently employed in writing the _Autobiography_, to which his persuasions had not a little contributed.

To shorten the work [he said], as well as for other reasons, I omit all facts and transactions, that may not have a tendency to benefit the young reader, by showing him from my example, and my success in emerging from poverty, and acquiring some degree of wealth, power, and reputation, the advantages of certain modes of conduct which I observed, and of avoiding the errors which were prejudicial to me.

To the limited nature of the inducements to the composition of the _Autobiography_, disclosed by these letters, it was due that the interest of Franklin in the subsequent continuation of the work was too languid for the completion of the whole plan of the _Autobiography_, as intimated in the Hints which he gives of its intended scope, notwithstanding the urgent appeals which his friends never ceased to make to him to complete it.

If one of the effects of the fearless self-arraignment of the _Autobiography_ has been to lower the standing of Franklin in some respects with posterity, we should remember the unselfish motive, which induced him to turn his youthful errors to the profit of others, and also the fact that he had his own misgivings about the bearing upon his reputation of such outspoken self-exposure, and submitted the propriety of publis.h.i.+ng the _Autobiography_ unreservedly to the judgment of friends who were certainly competent judges in every regard of what the moral sense of their time would approve.

I am not without my Doubts concerning the Memoirs, whether it would be proper to publish them, or not, at least during my Life time [he wrote to the Duc de la Rochefoucauld], and I am persuaded there are many Things that would, in Case of Publication, be best omitted; I therefore request it most earnestly of you, my dear Friend, that you would examine them carefully & critically, with M. Le Veillard, and give me your candid & friendly Advice thereupon, as soon as you can conveniently.

Later, he wrote to Benjamin Vaughan from Philadelphia that he had, of late, been so interrupted by extreme pain, which obliged him to have recourse to opium, that, between the effects of both, he had but little time, in which he could write anything, but that his grandson was copying what was done, which would be sent to Vaughan for his opinion by the next vessel; for he found it a difficult task to speak decently and properly of one's own conduct, and felt the want of a judicious friend to encourage him in scratching out. The next time that Franklin wrote to Vaughan it was when opium alone could render existence tolerable to him, but in the interim, he had happily discovered that he could dictate even when he could not write.

What is already done [he said] I now send you, with an earnest request that you and my good friend Dr. Price [later in the letter he calls him ”my dear Dr. Price”]

would be so good as to take the trouble of reading it, critically examining it, and giving me your candid opinion whether I had best publish or suppress it; and if the first, then what parts had better be expunged or altered. I shall rely upon your opinions, for I am now grown so old and feeble in mind, as well as body, that I can not place any confidence in my own judgment.

Of the same tenor was a still later letter to M. Le Veillard, in which Franklin expressed the hope that Le Veillard would, with the Duc de la Rochefoucauld, read the Memoirs over carefully, examine them critically and send him his friendly, candid opinion of the parts that he would advise him to correct or expunge, in case he should think that the work was generally proper to be published, but, if he judged otherwise, that he would inform him of that fact, too, as soon as possible, and prevent him from incurring further trouble in the endeavor to finish the work. The world has reason to be thankful that the fate of the _Autobiography_ should thus have been left to the decision of men who, even if they had not lived in the eighteenth century, would have been robust enough, in point of intelligence and morals, to believe that the youthful _errata_ laid bare in that book were more than atoned for by the manly and generous aims that inspired it.

Of the _Autobiography_ it is enough now to say that it is one of the few books which have arrested and permanently riveted the attention of the whole civilized world. Commenting in it on the copy of _Pilgrim's Progress_, ”in Dutch, finely printed on good paper, with copper cuts,”

which the drunken Dutchman, whom he drew up by the shock-pate from the waters of New York Bay, on his first journey to Philadelphia, handed to him to dry, Franklin says: ”I have since found that it has been translated into most of the languages of Europe, and suppose it has been more generally read than any other book, except perhaps the Bible.” The _Autobiography_ is hardly less popular. It, too, has been translated into most of the languages of Europe, and has been printed and reprinted until it is one of the most widely-read books in existence. Such it is likely to remain always, not simply because it was written by a very famous man, who possessed, to an extraordinary degree, the power of impressing his thoughts and fancies on the hearts and imagination of the human race, but because it tells a story of self-conquest and self-promotion full of warning, guidance and hope for every human being, who wishes to make the best of his own opportunities and powers. As a mere composition, dressed though it is like the poetic Muse described by Franklin in his letter to Polly ”in a kind of slatternly Negligee,” it is one of the masterpieces of literature. Its very careless loquacity is but suggestive of a mind overflowing with its own profusion of experience and reflection. There is no better test of the extent, to which a writer has proved himself equal to the highest possibilities of his art, than to ask how readily his conceptions can be pictured; for the mind of a great writer is but a gallery hung with such pictures as the painter reduces to material form and color. Tried by this test, the universal popularity of the _Autobiography_ can be readily understood. The Book of Genesis, the plays of Shakespeare, _Pilgrim's Progress_, the novels of Sir Walter Scott, are not more easily ill.u.s.trated than are the incidents depicted to the life in its early chapters. Some of them wear a hard and coa.r.s.e aspect as if they had been struck off from ruder plates than any belonging to the present state of the art of engraving, but this is only another proof of the fidelity of Franklin to his eighteenth century background. We might as well quarrel with the squalor and s.l.u.ttishess of Hogarth's scenes.

_Poor Richard's Almanac_, including the ”Way to Wealth,” or Father Abraham's Speech is Franklin's other master-work. One would hardly look to almanac-making for a cla.s.sic contribution to letters, but it is not extravagant to say that Poor Richard is one of the most lifelike figures in the literature of the world. Nestor, Falstaff, Don Quixote, Robinson Crusoe, Sir Roger de Coverley, Captain Dugald Dalgetty and Colonel Newcome are not more distinctly delineated, or rather we should say are not more manifest to the eye and palpable to the touch. To the people of Pennsylvania, its tradesmen, its farmers, even its rude borderers, he was a personage fully as real as the colonial governor at Philadelphia, and far more popular. Thousands of its inhabitants never turned over the pages of any other book except those of the Bible. And finally the wise sayings of Poor Richard, in the form of the ”Way to Wealth,” applicable as they were to the primal and universal conditions of human existence everywhere, became known from the Thames to the Ganges. The middle of the eighteenth century was the heyday of almanac-making, and the best proof of the durable stuff, of which _Poor Richard's Almanac_ was woven, is the utter oblivion that has overtaken all his compet.i.tors except those who are preserved in his pages like flies in amber. The prefaces of _Poor Richard_, the proverbial maxims with which his almanacs are bestrewn, the compendious speech on which these maxims are finally strung like bright beads, have survived, because they were adapted, with consummate art, to the simple habits and mental wants of the rude audience, to which they were addressed.

For upwards of thirty years, Poor Richard, with a distinctness and consistency of character as perfect as those of Santa Claus, made his annual bow to the People of Pennsylvania, and served up to their delighted palates his highly seasoned _ollapodrida_ of mock astrology, homely wisdom and coa.r.s.e jollity in prose and verse. Sometimes the humor is mere horse laughter. But always the shrewd, worldly-wise, merry-tempered old philomath and stargazer hits the fancy of his readers with unerring accuracy between wind and water. His weather predictions and prognostications of planetary conjunctions are just serious enough for unlettered rustics whose minds have been partially but not wholly disabused of the belief that rain comes with the change of the moon. His proverbs are the proverbs of men whose lives are too meagre and straitened to permit them to forget his saying that if you will not hear Reason she'll surely rap your knuckles. His humor is the humor of men whose grave, weather-beaten features do not relax into a smile or grin except under the compelling influence of some broad joke or ridiculous spectacle. Just as the most successful inventor is the one who invents the device that has the widest application to material uses, so the most successful writer is the one who conceives the thoughts that have the widest application to the moral and intellectual needs of mankind. The thoughts that Poor Richard conceived or adopted are such thoughts; for what he taught was full of significance to every man who desires to obtain a correct insight into the moral and economic laws that govern the world for the purpose of winning its favor; which means all men except those who either prey on the world or merely drift along with its current.

In the Prefaces to his _Almanac_, Poor Richard manages to keep both his wife Bridget and himself close to the footlights. In the first preface, he says that, if he were to declare that he wrote almanacs with no other view than of the public good, he should not be sincere.

The plain Truth of the Matter is [he confesses], I am excessive poor, and my Wife, good Woman, is, I tell her, excessive proud; she cannot bear, she says, to sit spinning in her s.h.i.+ft of Tow, while I do nothing but gaze at the Stars; and has threatned more than once to burn all my Books and Rattling-Traps (as she calls my Instruments) if I do not make some profitable Use of them for the Good of my Family.

In the preface of the succeeding year he announces that the patronage of his readers the year before had made his circ.u.mstances much easier. His wife had been enabled to get a pot of her own, and was no longer obliged to borrow one from a neighbor; nor had they ever since been without something of their own to put in it. She had also got a pair of shoes, two new s.h.i.+fts, and a new, warm petticoat, and for his part he had bought a second-hand coat, so good that he was no longer ashamed to go to town or be seen there. These things had rendered Bridget's temper so much more pacific than it used to be that he might say that he had slept more, and more quietly within the last year than in the three foregoing years put together.

In a later preface, he declares that, if the generous purchaser of his labors could see how often his fi-pence helped to light up the comfortable fire, line the pot, fill the cup and make glad the heart of a poor man and an honest good old woman, he would not think his money ill laid out, though the almanac of his Friend and Servant, R. Saunders, were one half blank paper.

A year later, Mistress Saunders avails herself of the fact that her good man had set out the week before for Potowmack to visit an old stargazer of his acquaintance, and to see about a little place for the couple to settle, and end their days on, to scratch out the preface to the copy of the almanac for that year which he had left behind him for the press, because it had undertaken to let the world know that she, who had already been held out in former prefaces as proud and loud and the possessor of a new petticoat, had lately, forsooth, taken a fancy to drink a little tea now and then. Upon looking over the months, she saw that he had put in abundance of foul weather this year, and therefore she had scattered here and there, where she could find room, some fair, pleasant suns.h.i.+ny days for the good women to dry their clothes in. If what she promised did not come to pa.s.s, she would at any rate have shown her goodwill.

In the next preface, referring to the impression that the great yearly demand for his almanac had made him so rich that he should call himself Poor d.i.c.k no longer, and pretending that he and the printer were different persons, Poor Richard says:

When I first begun to publish, the Printer made a fair Agreement with me for my copies, by Virtue of which he runs _away with_ the greatest Part of the Profit--However much good may't do him; I do not grudge it him; he is a Man I have a great Regard for, and I wish his Profit ten times greater than it is. For I am, dear Reader, his as well as thy

_Affectionate Friend_, R. SAUNDERS.

But the five pence came in too rapidly for the almanac-maker to persist in putting up a poor mouth of this kind. In his twelfth year, after frankly admitting that he had labored not for the benefit of the public but for the benefit of his own dear self, not forgetting in the meantime his gracious consort and d.u.c.h.ess, the peaceful, quiet, silent Lady Bridget, he states that, whether his labors had been of any service to the public or not, he must acknowledge that they had been of service to him.

It was by such personal touches as these that Poor Richard made Bridget and himself as familiar to his patrons as the signs of the Zodiac. Astrology itself was, of course, too good a subject for keen ridicule to be spared.

Formerly, Poor Richard declares in one preface, no prince would make war or peace, nor any general fight a battle without first consulting an astrologer, who examined the aspects and configurations of the heavenly bodies, and marked the lucky hour. But ”now,” he goes on, ”the n.o.ble art (more shame to the age we live in) is dwindled into contempt; the Great neglect us, Empires make Leagues, and Parliaments Laws without advising with us; and scarce any other use is made of our learned labours than to find the best time of cutting corns or gelding Pigs.”

In many sly ways, Poor Richard let his readers know that his forecasts are not to be accepted too seriously. It is no wonder, he says in his fifth preface, that, among the mult.i.tude of astrological predictions, some few should fail; for, without any defect in the art itself, 'tis well known that a small error, a single wrong figure overseen in a calculation, may occasion great mistakes, but, however the almanac-makers might miss it in other things, he believed it would be generally allowed that they always. .h.i.t the day of the month, and that, he supposed, was esteemed one of the most useful things in an almanac. In another issue of the almanac, he indulges in a great variety of confident predictions as to the year 1739.