Part 7 (1/2)
”Of course you don't. Haven't I seen you mincing downstairs, with all your colors harmonized, even to your gloves and gaiters? Now, a room must be dressed as carefully as a lady.”
”Well, I'm convinced,” said Jenny, ”that papa knows how to make rooms prettier than Aunt Easygo; but then she said this was cheap, because it would outlast two common carpets.”
”But, as you pay double price,” said I, ”I don't see that. Besides, I would rather, in the course of twenty years, have two nice, fresh ingrain carpets, of just the color and pattern that suited my rooms, than labor along with one ill-chosen velvet that harmonized with nothing.”
”I give it up,” said Jenny; ”I give it up.”
”Now, understand me,” said I; ”I am not traducing velvet or Brussels or Axminster. I admit that more beautiful effects can be found in those goods than in the humbler fabrics of the carpet rooms. Nothing would delight me more than to put an unlimited credit to Marianne's account, and let her work out the problems of harmonious color in velvet and damask. All I have to say is, that certain unities of color, certain general arrangements, will secure very nearly as good general effects in either material. A library with a neat, mossy green carpet on the floor, harmonizing with wall-paper and furniture, looks generally as well, whether the mossy green is made in Brussels or in ingrain. In the carpet stores, these two materials stand side by side in the very same pattern, and one is often as good for the purpose as the other. A lady of my acquaintance, some years since, employed an artist to decorate her parlors. The walls being frescoed and tinted to suit his ideal, he immediately issued his decree that her splendid velvet carpets must be sent to auction, and others bought of certain colors harmonizing with the walls. Unable to find exactly the color and pattern he wanted, he at last had the carpets woven in a neighboring factory, where, as yet, they had only the art of weaving ingrains. Thus was the material sacrificed at once to the harmony.”
I remarked, in pa.s.sing, that this was before Bigelow's mechanical genius had unlocked for America the higher secrets of carpet-weaving, and made it possible to have one's desires accomplished in Brussels or velvet. In those days, English carpet-weavers did not send to America for their looms, as they now do.
”But now to return to my a.n.a.lysis of John's rooms.
”Another thing which goes a great way towards giving them their agreeable air is the books in them. Some people are fond of treating books as others do children. One room in the house is selected, and every book driven into it and kept there. Yet nothing makes a room so home-like, so companionable, and gives it such an air of refinement, as the presence of books. They change the aspect of a parlor from that of a mere reception-room, where visitors perch for a transient call, and give it the air of a room where one feels like taking off one's things to stay. It gives the appearance of permanence and repose and quiet fellows.h.i.+p; and, next to pictures on the walls, the many-colored bindings and gildings of books are the most agreeable adornment of a room.”
”Then, Marianne,” said Bob, ”we have something to start with, at all events. There are my English Cla.s.sics and English Poets, and my uniform editions of Scott and Thackeray and Macaulay and Prescott and Irving and Longfellow and Lowell and Hawthorne and Holmes and a host more. We really have something pretty there.”
”You are a lucky girl,” I said, ”to have so much secured. A girl brought up in a house full of books, always able to turn to this or that author and look for any pa.s.sage or poem when she thinks of it, doesn't know what a blank a house without books might be.”
”Well,” said Marianne, ”mamma and I were counting over my treasures the other day. Do you know, I have one really fine old engraving, that Bob says is quite a genuine thing; and then there is that pencil-sketch that poor Schone made for me the month before he died,--it is truly artistic.”
”And I have a couple of capital things of Landseer's,” said Bob.
”There's no danger that your rooms will not be pretty,” said I, ”now you are fairly on the right track.”
”But, papa,” said Marianne, ”I am troubled about one thing. My love of beauty runs into everything. I want pretty things for my table; and yet, as you say, servants are so careless, one cannot use such things freely without great waste.”
”For my part,” said my wife, ”I believe in best china, to be kept carefully on an upper shelf, and taken down for high-days and holidays; it may be a superst.i.tion, but I believe in it. It must never be taken out except when the mistress herself can see that it is safely cared for. My mother always washed her china herself; and it was a very pretty social ceremony, after tea was over, while she sat among us was.h.i.+ng her pretty cups, and wiping them on a fine damask towel.”
”With all my heart,” said I; ”have your best china and venerate it,--it is one of the loveliest of domestic superst.i.tions; only do not make it a bar to hospitality, and shrink from having a friend to tea with you, unless you feel equal to getting up to the high shelf where you keep it, getting it down, was.h.i.+ng, and putting it up again.
”But in serving a table, I say, as I said of a house, beauty is a necessity, and beauty is cheap. Because you cannot afford beauty in one form, it does not follow that you cannot have it in another.
Because one cannot afford to keep up a perennial supply of delicate china and crystal, subject to the accidents of raw, untrained servants, it does not follow that the every-day table need present a sordid a.s.sortment of articles chosen simply for cheapness, while the whole capacity of the purse is given to the set forever locked away for state occasions.
”A table-service all of simple white, of graceful forms, even though not of china, if arranged with care, with snowy, well-kept table-linen, clear gla.s.ses, and bright American plate in place of solid silver, may be made to look inviting; add a gla.s.s of flowers every day, and your table may look pretty: and it is far more important that it should look pretty for the family every day than for company once in two weeks.”
”I tell my girls,” said my wife, ”as the result of my experience, you may have your pretty china and your lovely fanciful articles for the table only so long as you can take all the care of them yourselves. As soon as you get tired of doing this, and put them into the hands of the trustiest servants, some good, well-meaning creature is sure to break her heart and your own and your very pet darling china pitcher all in one and the same minute, and then her frantic despair leaves you not even the relief of scolding.”
”I have become perfectly sure,” said I ”that there are spiteful little brownies, intent on seducing good women to sin, who mount guard over the special idols of the china closet. If you hear a crash, and a loud Irish wail from the inner depths, you never think of its being a yellow pie-plate, or that dreadful one-handled tureen that you have been wis.h.i.+ng were broken these five years; no, indeed,--it is sure to be the lovely painted china bowl, wreathed with morning-glories and sweet-peas, or the engraved gla.s.s goblet, with quaint Old English initials. China sacrificed must be a great means of saints.h.i.+p to women. Pope, I think, puts it as the crowning grace of his perfect woman that she is
”'Mistress of herself though china fall.'”
”I ought to be a saint by this time, then,” said mamma; ”for in the course of my days I have lost so many idols by breakage, and peculiar accidents that seemed by a special fatality to befall my prettiest and most irreplaceable things, that in fact it has come to be a superst.i.tious feeling now with which I regard anything particularly pretty of a breakable nature.”
”Well,” said Marianne, ”unless one has a great deal of money, it seems to me that the investment in these pretty fragilities is rather a poor one.”
”Yet,” said I, ”the principle of beauty is never so captivating as when it presides over the hour of daily meals. I would have the room where they are served one of the pleasantest and sunniest in the house. I would have its coloring cheerful, and there should be companionable pictures and engravings on the walls. Of all things, I dislike a room that seems to be kept, like a restaurant, merely to eat in. I like to see in a dining-room something that betokens a pleasant sitting-room at other hours. I like there some books, a comfortable sofa or lounge, and all that should make it cosy and inviting. The custom in some families, of adopting for the daily meals one of the two parlors which a city house furnishes, has often seemed to me a particularly happy one. You take your meals, then, in an agreeable place, surrounded by the little pleasant arrangements of your daily sitting-room; and after the meal, if the lady of the house does the honors of her own pretty china herself, the office may be a pleasant and social one.
”But in regard to your table-service I have my advice at hand. Invest in pretty table-linen, in delicate napkins, have your vase of flowers, and be guided by the eye of taste in the choice and arrangement of even the every-day table articles, and have no ugly things when you can have pretty ones by taking a little thought. If you are sore tempted with lovely china and crystal, too fragile to last, too expensive to be renewed, turn away to a print-shop and comfort yourself by hanging around the walls of your dining-room beauty that will not break or fade, that will meet your eye from year to year, though plates, tumblers, and teasets successively vanish. There is my advice for you, Marianne.”