Part 6 (2/2)
The note was to the effect that I had sold the drawing at a profit which enabled me to make him a present, because it was an old, and perhaps odd, belief of mine that one should do this kind of thing; good luck should be shared.
I had the envelope in my pocket containing the note and the cheque when I reached the club for lunch; and that afternoon I played bridge so disastrously that I was glad I had not posted it.
After all (so my thoughts ran, as I destroyed the envelope and contents) such bargains are all part of the game. Buying and selling are a perfectly straightforward matter between dealer and customer. The dealer asks as much as he thinks he can extort, and the customer, having paid it, is under no obligation whatever to the dealer. The incident is closed.
THE ITALIAN QUESTION
There are, no doubt, matters of importance which must always agitate the minds of Italian senators and the souls of Italian reformers; the country of Dante, Garibaldi, and D'Annunzio cannot for long be without deep and vital problems, political and social: but for me, in that otherwise delectable land, the dominant question is, What becomes of the mosquito while you are hunting for him? (I say ”him,” although, of course, there are supporters of the theory that mosquitoes are feminine.
But I know he is a he, and I know his name, too: it is, for too obvious reasons, Macbeth.)
This is my procedure. I undress, then I put on a dressing-gown and slippers, and, lifting the mosquito curtains, I place the candle inside them on the bed. Then, with the closest scrutiny, I satisfy myself that there is no mosquito inside, as indeed Eleanora, the handmaid, had done some hours earlier, when she made the bed. ”_Niente, niente_,” she had a.s.sured me, as she always does. None the less, again I go carefully round it, examining the net for any faulty hanging which might let in an insect ascending with malice from the floor.
This being done, I creep through, blow out the candle, and go to sleep.
I have slept perhaps an hour when a shrill bugle call, which I conceive in my dreams to be the Last Trump, awakens me, and as I wake I realise once again the melancholy fact that it is no Last Trump at all, but that there is, as there always is, a mosquito inside the curtain.
Already he has probably bitten me in several places; at any cost he must be prevented from biting me again. I sit up and feel my face all over to discover if my beauty has been a.s.sailed; for that is the thing I most dread. (Without beauty what are we?) I lie quite still while I do this, straining to catch his horrid song again; and suddenly there it is, so near that I duck my head swiftly, nearly ricking my neck in doing so.
This confirming my worst fears, there is nothing for it now but to lift the curtains, slip out on to the cold stone floor, light the candle, and once again go through the futile but necessary movement of locating and expelling a mosquito.
That there will be none to expel, I know.
None the less I crawl about and peer into every corner. I shake the clothes, I do everything that can be done short of stripping the curtains, which I am too sleepy to do. And then I blow out the candle for the second time and endeavour to fall asleep again.
But this time it is more difficult: Macbeth has performed his pet trick too thoroughly. At last, however, I drowse away, again to be galvanised suddenly into intense and dreadful vigilance by the bugle shrilling an inch from my ear.
And so once again I get up and once again the pest vanishes into nothing....
The next time I don't care a soldo if he is there or not, I am so tired; and the rest of the night is pa.s.sed in a half-sleep, in which real mosquitoes and imaginary mosquitoes equally do their worst, and I turn no hair. And then, some years later, the blessed dawn breaks and spreads and another Italian night of misery pa.s.ses into glorious day; and, gradually recognising this bliss, I sit up in bed and begin to tear away at the fresh poison in my poor hands and wrists, which were like enough to a map of a volcanic island in the Pacific yesterday, but now are poignantly more so.
And suddenly, as I thus scratch, I am conscious of a motionless black speck on the curtain above me....
It is--yes--no--yes--it is Macbeth.
I agitate the gauze, but he takes no notice; I approach my hand, a movement which in his saner moments he would fly from with the agility of electricity; he remains still. He is either dead or dazed.
I examine him minutely and observe him to be alive, and the repugnant truth is forced upon me that he is not merely drunk but drunk with my blood. That purple tide must be intoxicating; and his intemperance has been his ruin.
There is only one thing to be done. I have no paltry feelings of revenge; but his death is indicated. The future must be considered. And so I kill him. It is done with the greatest ease. He makes no resistance at all: merely, dying, saluting me with my own blood. It is odd to have it thus returned.
A good colour, I think, and get up, conscious of no triumph.
Then, going to the gla.s.s, I discern a red lump on my best feature....
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