Part 32 (1/2)

As I'm cooking, the phone rings, I grab it, thinking it's her-Julie Nixon Eisenhower.

”Hi,” Nate says. ”I tried you earlier and you weren't home.”

”Teaching day,” I say.

”Might want to change that outgoing message,” Nate says, his voice tight. ”It's still Mom.”

I haven't been able to bring myself to change it-I can't erase Jane, but I can imagine how hard it is for him to hear.

”I'll get a new machine tomorrow,” I say, though I've secretly liked hearing Jane's occasional ”h.e.l.lo, we're not home right now....”

”I keep thinking about the boy from the car accident,” he says. ”We have to take care of the boy.”

”I know you're concerned about him,” I say. ”I'll talk with your father's lawyer about what's being done.”

Meanwhile, as glad as I am to hear his voice, I'm also wondering, does George have call waiting? What if Julie Nixon Eisenhower phones and gets a busy signal? As he's talking, I simply blurt, ”Does this phone have call waiting?”

”Why?” Nate asks. ”Are you beeping?”

”I'm not sure,” I say.

”Well, there's beeping that's call waiting, and then there's beeping if someone is recording the call.”

”Are you recording the call?” I ask.

”No,” he says, ”I know about it because we studied wiretaps in my Twentieth-Century Political Scandal course-it's a history elective. If you want to tape a call you must first ask permission, record the granting of permission, and acknowledge that the call is being taped.”

”Interesting. In what context did that come up?”

”We were studying Watergate. I wrote a paper on Aunt Rose.”

”Who?”

”Rose Mary Woods, she was Nixon's secretary.”

”Of course,” I say, proudly. ”You do know that Nixon is my area.”

”I know,” Nate says. ”The Nixon children called her 'Aunt Rose.' She was fiercely loyal,” Nate says. ”I'm very interested in loyalty, even if the person to whom one is loyal is flawed, criminal, or otherwise in the wrong. I'm also studying the evolution of the Dictabelt, which came out in 1947, preceded by the Ediphone, and followed, of course, by the reel-to-reel, and on and on to some pretty fantastic items, including the eight-track tape, which my father still has-he kept his copy of Iron b.u.t.terfly Live-it's red, and he keeps it in his sock drawer....” Nate stops himself, having perhaps revealed more than he intended to. ”How's Tessie?”

”Good, except she has diarrhea. She got into the garbage.”

”She loves garbage,” Nate says. ”Well, I better go, lots more homework to do.”

”All right,” I say. ”I'll ask about the boy, but my bet is there's nothing we can do before the trial-it would seem like we were trying to influence the outcome.”

”I hadn't thought of that,” Nate says. ”I was just thinking about the boy.”

The next morning, bright and early-the phone rings.

”Sorry it took so long, busy day here,” Julie Nixon Eisenhower says.

”I saw your father once at a distance,” I blurt, so excited that I start sweating. ”I was in junior high, and they took the cla.s.s to Was.h.i.+ngton. We went to the White House; your dad was welcoming a foreign dignitary-I saw him far across the lawn. And then we went to the Smithsonian, we saw Foucault's Pendulum and the flag made for Fort Henry by Mary Young Pickersgill, that's the flag that Francis Scott Key spotted and which prompted him to write 'The Star-Spangled Banner.' We went to the U.S. Mint, the Bureau of Engraving, and the National Archive to visit the Declaration of Independence.” It's all coming back to me, spilling out of me; I didn't even remember any of this until the phone rang, and then it was like a door in some old part of my brain opened and stuff came tumbling out. ”I love Was.h.i.+ngton. When I was younger, all I wanted to do was grow up and live in Was.h.i.+ngton and drive to work down Independence Avenue, past the Smithsonian, to the United States Capitol....”

”My,” she says when I pause for breath, ”you are a true patriot.”

”Thank you,” I say. ”It's a thrill to be speaking with you.”

”I'm not sure how up-to-date you are,” she says, ”so forgive me if I'm telling you what you already know. As of 2007, the library became part of the federal system of presidential libraries; prior to that it was a private library housing my father's pre- and post-presidential material.”

”If I remember correctly,” I say, putting my foot in my mouth, ”there was some family tension.”

She says nothing for a moment and then goes on. ”The move into the U.S. Archives and Records Administration prompted us to do some reorganizing. Long story short, we came across a few boxes, materials that had been kept apart.”

”What kind of materials?”

”My sense is that they were somewhat personal to my father, writings that the rest of us aren't familiar with, previously unknown doc.u.ments. What I'm trying to say is, we discovered something....”

”Really?” I say, rather surprised. ”Something like what?”

She pauses. The line is silent, almost dead.

”I'm listening.”

”Writing that we didn't know about,” she says in a clipped voice.

”Journals?”

”Perhaps. Or something else.”

”Love letters?”

She says nothing.

”Memoir?”

Again silence and then, finally, ”Stories,” she says, ”short stories.”

”Like the kind of thing you'd see in The New Yorker?” I offer.

”Darker,” she says.

”Fascinating.”

”In looking for someone to work with the material, we wanted to go outside the box, away from the usual suspects, well-known scholars whose opinions with regard to my father are perhaps a bit too codified, and Cheryl thought you might be interested.”

I almost ask, ”Who's Cheryl?” but catch myself and cough. ”I'm interested,” I say, ”very interested. Did you know your father wrote fiction?”

”No one knew,” she says. ”I'd like you to take a look, and then perhaps we can talk further. Where are you?” she asks.

”In the kitchen,” I say.