Part 11 (1/2)

”Oh no,” said Ventimore; ”but I shan't give him either a Gothic castle or plenty of plate-gla.s.s. I venture to think he'll be pleased with the general idea as I'm working it out.”

”Let's hope so,” said Beevor. ”If you get into any difficulty, you know,” he added, with a touch of patronage, ”just you come to me.”

”Thanks,” said Horace, ”I will. But I'm getting on very fairly at present.”

”I should rather like to see what you've made of it. I might be able to give you a wrinkle here and there.”

”It's awfully good of you, but I think I'd rather you didn't see the plans till they're quite finished,” said Horace. The truth was that he was perfectly aware that the other would not be in sympathy with his ideas; and Horace, who had just been suffering from a cold fit of depression about his work, rather shrank from any kind of criticism.

”Oh, just as you please!” said Beevor, a little stiffly; ”you always _were_ an obstinate beggar. I've had a certain amount of experience, you know, in my poor little pottering way, and I thought I might possibly have saved you a cropper or two. But if you think you can manage better alone--only don't get bolted with by one of those architectural hobbies of yours, that's all.”

”All right, old fellow. I'll ride my hobby on the curb,” said Horace, laughing, as he went back to his own office, where he found that all his former certainty and enjoyment of his work had returned to him, and by the end of the day he had made so much progress that his designs needed only a few finis.h.i.+ng touches to be complete enough for his client's inspection.

Better still, on returning to his rooms that evening to change before going to Kensington, he found that the admirable Fakrash had kept his promise--every chest, sack, and bale had been cleared away.

”Them camels come back for the things this afternoon, sir,” said Mrs.

Rapkin, ”and it put me in a fl.u.s.ter at first, for I made sure you'd locked your door and took the key. But I must have been mistook--leastways, them Arabs got in somehow. I hope you meant everything to go back?”

”Quite,” said Horace; ”I saw the--the person who sent them this morning, and told him there was nothing I cared for enough to keep.”

”And like his impidence sending you a lot o' rubbish like that on approval--and on camels, too!” declared Mrs. Rapkin. ”I'm sure I don't know what them advertising firms will try next--pus.h.i.+ng, _I_ call it.”

Now that everything was gone, Horace felt a little natural regret and doubt whether he need have been quite so uncompromising in his refusal of the treasures. ”I might have kept some of those tissues and things for Sylvia,” he thought; ”and she loves pearls. And a prayer-carpet would have pleased the Professor tremendously. But no, after all, it wouldn't have done. Sylvia couldn't go about in pearls the size of new potatoes, and the Professor would only have ragged me for more reckless extravagance. Besides, if I'd taken any of the Jinnee's gifts, he might keep on pouring more in, till I should be just where I was before--or worse off, really, because I couldn't decently refuse them, then. So it's best as it is.”

And really, considering his temperament and the peculiar nature of his position, it is not easy to see how he could have arrived at any other conclusion.

CHAPTER VIII

BACHELOR'S QUARTERS

Horace was feeling particularly happy as he walked back the next evening to Vincent Square. He had the consciousness of having done a good day's work, for the sketch-plans for Mr. Wackerbath's mansion were actually completed and despatched to his business address, while Ventimore now felt a comfortable a.s.surance that his designs would more than satisfy his client.

But it was not that which made him so light of heart. That night his rooms were to be honoured for the first time by Sylvia's presence. She would tread upon his carpet, sit in his chairs, comment upon, and perhaps even handle, his books and ornaments--and all of them would retain something of her charm for ever after. If she only came! For even now he could not quite believe that she really would; that some untoward event would not make a point of happening to prevent her, as he sometimes doubted whether his engagement was not too sweet and wonderful to be true--or, at all events, to last.

As to the dinner, his mind was tolerably easy, for he had settled the remaining details of the _menu_ with his landlady that morning, and he could hope that without being so sumptuous as to excite the Professor's wrath, it would still be not altogether unworthy--and what goods could be rare and dainty enough?--to be set before Sylvia.

He would have liked to provide champagne, but he knew that wine would savour of ostentation in the Professor's judgment, so he had contented himself instead with claret, a sound vintage which he knew he could depend upon. Flowers, he thought, were clearly permissible, and he had called at a florist's on his way and got some chrysanthemums of palest yellow and deepest terra-cotta, the finest he could see. Some of them would look well on the centre of the table in an old Nankin blue-and-white bowl he had; the rest he could arrange about the room: there would just be time to see to all that before dressing.

Occupied with these thoughts, he turned into Vincent Square, which looked vaster than ever with the murky haze, enclosed by its high railings, and under a wide expanse of steel-blue sky, across which the clouds were driving fast like s.h.i.+ps in full sail scudding for harbour before a storm. Against the mist below, the young and nearly leafless trees showed flat, black profiles as of pressed seaweed, and the sky immediately above the house-tops was tinged with a sullen red from miles of lighted streets; from the river came the long-drawn tooting of tugs, mingled with the more distant wail and hysterical shrieks of railway engines on the Lambeth lines.

And now he reached the old semi-detached house in which he lodged, and noticed for the first time how the trellis-work of the veranda made, with the bared creepers and hanging baskets, a kind of decorative pattern against the windows, which were suffused with a roseate glow that looked warm and comfortable and hospitable. He wondered whether Sylvia would notice it when she arrived.

He pa.s.sed under the old wrought-iron arch that once held an oil-lamp, and up a short but rather steep flight of steps, which led to a brick porch built out at the side. Then he let himself in, and stood spellbound with perplexed amazement,--for he was in a strange house.

In place of the modest pa.s.sage with the yellow marble wall-paper, the mahogany hat-stand, and the elderly barometer in a state of chronic depression which he knew so well, he found an arched octagonal entrance-hall with arabesques of blue, crimson, and gold, and richly-embroidered hangings; the floor was marble, and from a shallow basin of alabaster in the centre a perfumed fountain rose and fell with a lulling patter.

”I must have mistaken the number,” he thought, quite forgetting that his latch-key had fitted, and he was just about to retreat before his intrusion was discovered, when the hangings parted, and Mrs. Rapkin presented herself, making so deplorably incongruous a figure in such surroundings, and looking so bewildered and woebegone, that Horace, in spite of his own increasing uneasiness, had some difficulty in keeping his gravity.