Part 11 (2/2)
'The engagement was broken off,' Margaret said.
'How do you know that?' asked Griggs quickly.
'Mr. Van Torp told me, on the steamer. They had broken it off that very day, and were going to let it be known the next morning. He told me so, that afternoon when I walked with him.'
'Really!'
Griggs was a little surprised, but as he did not connect Van Torp with the possibility that Miss Bamberger had been murdered, his thoughts did not dwell on the broken engagement.
'Why don't you try to find out the truth?' Margaret asked rather anxiously. 'You know so many people everywhere--you have so much experience.'
'I never had much taste for detective work,' answered the literary man, 'and besides, this is none of my business. But Bamberger and Van Torp are probably both of them aware by this time that I found the girl and carried her to the manager's room, and when they are ready to ask me what I know, or what I remember, the detective they are employing will suddenly appear to me in the shape of a new acquaintance in some out-of-the-way place, who will go to work scientifically to make me talk to him. He will very likely have a little theory of his own, to the effect that since it was I who brought Miss Bamberger to Schreiermeyer's room, it was probably I who killed her, for some mysterious reason!'
'Shall you tell him about the drop of blood on your hand?'
'Without the slightest hesitation. But not until I am asked, and I shall be very glad if you will not speak of it.'
'I won't,' Margaret said; 'but I wonder why you have told me if you mean to keep it a secret!'
The veteran man of letters turned his sad grey eyes to hers, while his lips smiled.
'The world is not all bad,' he said. 'All men are not liars, and all women do not betray confidence.'
'It's very good to hear a man like you say that,' Margaret answered.
'It means something.'
'Yes,' a.s.sented Griggs thoughtfully. 'It means a great deal to me to be sure of it, now that most of my life is lived.'
'Were you unhappy when you were young?'
She asked the question as a woman sometimes does who feels herself strongly drawn to a man much older than she. Griggs did not answer at once, and when he spoke his voice was unusually grave, and his eyes looked far away.
'A great misfortune happened to me,' he said. 'A great misfortune,' he repeated slowly, after a pause, and his tone and look told Margaret how great that calamity had been better than a score of big words.
'Forgive me,' Margaret said softly; 'I should have known.'
'No,' Griggs answered after a moment. 'You could not have known. It happened very long ago, perhaps ten years before you were born.'
Again he turned his sad grey eyes to hers, but no smile lingered now about the rather stern mouth. The two looked at each other quietly for five or six seconds, and that may seem a long time. When Margaret turned away from the elderly man's more enduring gaze, both felt that there was a bond of sympathy between them which neither had quite acknowledged till then. There was silence after that, and Margaret looked out of the window, while her hand unconsciously played with the book on her knee, lifting the cover a little and letting it fall again and again.
Suddenly she turned to Griggs once more and held the book out to him with a smile.
'I'm not an autograph-hunter,' she said, 'but will you write something on the fly-leaf? Just a word or two, without your name, if you like.
Do you think I'm very sentimental?'
She smiled again, and he took the book from her and produced a pencil.
<script>