Part 43 (1/2)

ACT IV SCENE I Chapter House SCENE II Picture Gallery SCENE III Chapel (Of the Monastery)

ACT I

ON THE RIVER BANK

[The foreground represents the bank of a large river. On the right a projecting tongue of land covered with old willow trees. Farther up stage the river can be seen flowing quietly past. The background represents the farther bank, a steep mountain slope covered with woodland. Above the tops of the forest trees the Monastery can be seen; it is an enormous four-cornered building completely white, with two rows of small windows. The facade is broken by the Church belonging to the Monastery, which is flanked by two towers in the style favoured by the Jesuits. The Church door is open, and at a certain moment the monstrance on the altar is visible in the light of the sun. On the near bank in the foreground, which is low and sandy, purple and yellow loose-strife are growing. A shallow boat is moored nearby. On the left the ferryman's hut. It is an evening in early summer and the sun is low; foreground, river and the lower part of the background lie in shadow; and the trees on the far bank sway gently in the breeze. Only the Monastery is lit by the sun.]

[The STRANGER and the CONFESSOR enter from the right. The STRANGER is wearing alpine clothing: a brown cloak with a cape and hood; he has a staff and wallet. He is limping slightly. The CONFESSOR is to the black and white habit of the Dominicans. They stop at a place where a willow tree prevents any view of the Monastery.]

STRANGER. Why do you lead me along this winding, hilly path, that never comes to an end?

CONFESSOR. Such is the way, my friend. But now we'll soon be there. (He leads the STRANGER farther up stage. The STRANGER sees the Monastery, and is enchanted by it; he takes off his hat, and puts down his wallet and staff.) Well?

STRANGER. I've never seen anything so white on this polluted earth. At most, only in my dreams! Yes, that's my youthful dream of a house in which peace and purity should dwell. A blessing on you, white house! Now I've come home!

CONFESSOR. Good! But first we must await the pilgrims on this bank. It's called the bank of farewell, because it's the custom to say farewell here, before the ferryman ferries one across.

STRANGER. Haven't I said enough farewells already? Wasn't my whole life one th.o.r.n.y path of farewells? At post offices, steamer-quays, railway stations--with the waving of handkerchiefs damp with tears?

CONFESSOR. Yet your voice trembles with the pain what you've lost.

STRANGER. I don't feel I've lost anything. I don't want anything back.

CONFESSOR. Not even your youth?

STRANGER. That least of all. What should I do with it, and its capacity for suffering?

CONFESSOR. And for enjoyment?

STRANGER. I never enjoyed anything, for I was born with a thorn in my flesh; every time I stretched out my hand to grasp a pleasure, I p.r.i.c.ked my finger and Satan struck me in the face.

CONFESSOR. Because your pleasures have been base ones.

STRANGER. Not so base. I had my own home, a wife, children, duties, obligations to others! No, I was born in disfavour, a step-child of life; and I was pursued, hunted, in a word, cursed!

CONFESSOR. Because you didn't obey G.o.d's commandment.

STRANGER. But no one can, as St. Paul says himself! Why should I be able to do what no one else can do? I of all men? Because I'm supposed to be a scoundrel. Because more's demanded of me than of others.... (Crying out.) Because I was treated with injustice.

CONFESSOR. Have you got back to that, rebellious one?

STRANGER. Yes. I've always been there. Now let's cross the river.

CONFESSOR. Do you think one can climb up to that white house without preparation?

STRANGER. I'm ready: you can examine me.

CONFESSOR. Good! The first monastic vow is: humility.