Part 3 (1/2)

_Mary Anne_, a generic name for a secret republican society in France.

[TN-5]See MARIANNE.)--B. Disraeli, _Lothair_.

Mary Anne was the red-name for the republic years ago, and there always was a sort of myth that these secret societies had been founded by a woman.

The Mary-Anne a.s.sociations, which are essentially republic, are scattered about all the provinces of France.--_Lothair._

=Mary Graham=, an orphan adopted by old Martin Chuzzlewit. She eventually married Martin Chuzzlewit, the grandson, and hero of the tale.

=Mary Scudder.= Blue-eyed daughter of a ”capable” New England housewife.

From childhood she has loved her cousin. Her mother objects on the ground that James is ”unregenerate,” and brings Mary to accept Dr.

Hopkins, her pastor. The doctor, upon discovering the truth, resigns his betrothed to the younger lover.--Harriet Beecher Stowe, _The Minister's Wooing_ (1862).

=Mary Stuart=, an historical tragedy by J. Haynes (1840). The subject is the death of David Rizzio.

? Schiller has taken Mary Stuart for the subject of a tragedy. P. Lebrun turned the German drama into a French play. Sir W. Scott, in _The Abbot_, has taken for his subject the flight of Mary to England.

=Mary Tudor.= Victor Hugo has a tragedy so called (1833), and Tennyson, in 1878, issued a play ent.i.tled _Queen Mary_, an epitome of the reign of the Tudor Mary.

=Mary and Byron.= The ”Mary” of Lord Byron was Miss Chaworth. Both were under the guardians.h.i.+p of Mr. White. Miss Chaworth married John Musters, and Lord Byron married Miss Milbanke; both equally unfortunate. Lord Byron, in _The Dream_, refers to his love-affair with Mary Chaworth.

=Mary in Heaven= (_To_) and _Highland Mary_, lyrics addressed by Robert Burns to Mary Campbell, between whom and the poet there existed a strong attachment previous to the latter's departure from Ayrs.h.i.+re to Nithsdale. _Mary Morison_, a youthful effusion, was written to the object of a prior pa.s.sion. The lines in the latter

Those smiles and glances let me see, That make the miser's treasure poor,

resembles those in _Highland Mary_--

Still o'er those scenes my mem'ry wakes, And fondly broods with miser care.

=Mary of Mode'na=, the second wife of James II. of England, and mother of ”The Pretender.”

Mamma was to a.s.sume the character and stately way of the royal ”Mary of Modena.”--Percy Fitzgerald, _The Parvenu Family_, iii.

239.

=Mary Queen of Scots= was confined first at Carlisle; she was removed in 1568 to Bolton; in 1569 she was confined at Tutbury, Wingfield, Tutbury, Ashby-de-la-Zouche, and Coventry; in 1570 she was removed to Tutbury, Chatsworth, and Sheffield; in 1577 to Chatsworth; in 1578 to Sheffield; in 1584 to Wingfield; in 1585 to Tutbury, Chartley, Tixhall, and Chartley; in 1586 (September 25) to Fotheringay.

? She is introduced by Sir W. Scott, in his novel ent.i.tled _The Abbot_.

Schiller has taken Mary Stuart for the subject of his best tragedy, and P. Lebrun brought out in France a French version thereof (1729-1807).

_Mary queen of Scots._ The most elegant and poetical compliment ever paid to woman was paid to Mary queen of Scots, by Shakespeare, in _Midsummer Night's Dream_. Remember, the _mermaid_ is ”Queen Mary;” the _dolphin_ means the ”dauphin of France,” whom Mary married; the _rude sea_ means the ”Scotch rebels;” and the _stars that shot from their spheres_ means ”the princes who sprang from their allegiance to Queen Elizabeth.”