Part 8 (2/2)

CHAPTER VIII.

AT THE BEECHES

The invitation came by telephone while the family was at breakfast next morning. Would the house-party at The Locusts join the house-party at The Beeches in giving a series of tableaux at their lawn fete that night? If so, would the house-party at The Locusts proceed immediately to The Beeches to spend the morning in the rehearsing of tableaux, the selection of costumes, the manufacture of paper roses, and the pleasure of each other's honorable company in the partaking of a picnic-lunch under the trees?

There was an enthusiastic acceptance from all except Eugenia, who, tired from her long journey and with many important things to attend to, begged to be left behind for a quiet day with her cousin Elizabeth.

Mary, tormented by a fear that maybe she was not included in the invitation, since she was a child, and all the guests at The Beeches were grown, could scarcely finish her breakfast in her excitement. But long before the girls were ready to start, her fears were set at rest by the arrival of Elise Walton in her pony-cart. She wanted Mary to drive to one of the neighbors with her, to borrow a bonnet and shawl over fifty years old, which were to figure in one of the tableaux.

Elise had not been attracted by Mary's appearance the day she met her in the restaurant and was not sure that she would care for her. It was only her hospitable desire to be nice to a guest in the Valley that made her comply so willingly to her mother's request to show her some especial attention. Mary, spoiled by the companions.h.i.+p of the older girls for the society of those her own age, was afraid that Elise would be a repet.i.tion of Girlie Dinsmore; but before they had gone half a mile together they were finding each other so vastly entertaining that by the time they reached The Beeches they felt like old friends.

It was Mary's first sight of the place, except the glimpse she had caught through the trees the morning they pa.s.sed on their way to Rollington. As the pony-cart rattled up the wide carriage drive which swept around in front of the house, she felt as if she were riding straight into a beautiful old Southern story of ante-bellum days. Back into the times when people had leisure to make hospitality their chief business in life, and could afford for every day to be a holiday. When there were always guests under the spreading rooftree of the great house, and laughter and plenty in the servants' quarters. The sound of a banjo and a negro melody somewhere in the background heightened the effect of that illusion.

The wide front porch seemed full of people. Allison and Kitty looked up with a word of greeting as the two girls came up, one carrying the bonnet and the other the shawl, but n.o.body seemed to think it necessary to introduce Elise's little friend to the other guests. It would have been an embarra.s.sing ordeal for her, for there were so many strangers.

Mary recognized the two young lieutenants.

With the help of a pretty brunette in white, whom Elise whispered was Miss Bonham from Lexington, they were rigging up some kind of a coat of mail for Lieutenant Logan to wear in one of the tableaux. Ra.n.a.ld, with a huge sheet of cardboard and the library shears, was manufacturing a pair of giant scissors, half as long as himself, which a blonde in blue was waiting to cover with tin foil. She was singing c.o.o.n songs while she waited, to the accompaniment of a mandolin, and in such a gay, rollicking way, that every one was keeping time either with hand or foot.

”That is Miss Bernice Howe,” answered Elise, in response to Mary's whispered question. ”She lives here in the Valley. And that's Malcolm MacIntyre, my cousin, who is sitting beside her. That's his brother Keith helping Aunt Allison with the programme cards.”

Mary stared at the two young men, vaguely disappointed. They were the two little knights of Kentucky, but they were grown up, like all the other heroes and heroines she had looked forward to meeting. She told herself that she might have expected it, for she knew that Malcolm was Joyce's age; but she had a.s.sociated them so long with the handsome little fellows in the photograph Lloyd had, clad in the knightly costumes of King Arthur's time, that it was hard to recognize them now, in these up-to-date, American college boys, who had long ago discarded their knightly disguises.

”And that,” said Elise, as another young man came out of the house with a sheet of music in his hand for Miss Howe, ”is Mister Alex Shelby. He lives in Louisville, but he comes out to the Valley all the time to see Bernice. I'll tell you about them while we drive over to Mrs. Bisbee's.

”It's this way,” she began a few moments later, as they rattled down the road; ”Bernice asked Allison if Mister Shelby couldn't be in one of the tableaux. Allison said yes, that they had intended to ask him before she spoke of it; that they had decided to ask him to be the boatman in the tableau of 'Elaine, the Lily Maid of Astolat.' But when Bernice found that Lloyd had already been asked to be Elaine, she was furious. She said she was just as good as engaged to him, or something of the sort, I don't know exactly what. And she knew, if Lloyd had a chance to monopolize him in that beautiful tableau, what it would lead to. It wouldn't be the first time that Lloyd had quietly stepped in and taken possession of her particular friends. She made such a fuss about it, that Allison finally said she'd change, and make Malcolm take the part of boatman, and give Alex the part they had intended for Malcolm, even if they didn't fit as well.”

”The hateful thing!” sputtered Mary, indignantly. ”I don't see how she can insinuate such mean things about any one as sweet and beautiful as Lloyd is.”

”I don't either,” agreed Elise, ”but Allison says it is true that everybody who has ever started out as a special friend of Bernice, men I mean, have ended by thinking the most of Lloyd. But everybody knows that it is simply because she is more attractive than Bernice. As Ra.n.a.ld says Lloyd isn't a girl to fish for attention, and that Bernice would have more if she didn't show the fellows that she was after them with a hook.

Don't you tell Lloyd I told you all this,” warned Elise.

”Oh, I wouldn't think of doing such a thing!” cried Mary. ”It would hurt her dreadfully to know that anybody talked so mean about her. I wouldn't be the one to repeat it, for worlds!”

Left to hold the pony while Elise went in at Mrs. Bisbee's, Mary sat thinking of the snake she had discovered in her Eden. It was a rude shock to find that every one did not admire and love the ”Queen of Hearts,” who to her was without fault or flaw. All the rest of that day and evening, she could not look in Bernice Howe's direction, without a savage desire to scratch her. Once, when she heard her address Lloyd as ”dearie,” she could hardly keep from crying out, ”Oh, you sly, two-faced creature!”

Lloyd and her guests arrived on the scene while Mary was away in the pony-cart on another borrowing expedition. All of the tableaux, except two, were simple in setting, requiring only the costumes that could be furnished by the chests of the neighborhood attics. But those two kept everybody busy all morning long. One was the reproduction of a famous painting called June, in which seven garlanded maidens in Greek costumes posed in a bewitching rose bower. Quant.i.ties of roses were needed for the background, great ma.s.ses of them that would not fade and droop; and since previous experience had proved that artificial flowers may be used with fine stage effect in the glare of red foot-lights the whole place was bursting into tissue-paper bloom. The girls cut and folded the myriad petals needed, the boys wired them, and a couple of little pickaninnies sent out to gather foliage, piled armfuls of young oak-leaves on the porch to twine into long conventional garlands, like the ones in the painting.

Agnes Waring had come over to help with the Greek costumes, and since the long folds of cheesecloth could be held in place by girdles, basting threads, and pins, the gowns were rapidly finished.

Down by the tea-house the colored coachman sawed and pounded and planed under Malcolm's occasional direction. He was building a barge like the one described in Tennyson's poem of the Lily Maid of Astolat. From time to time, Lloyd, who was to personate Elaine, was called to stretch herself out on the black bier in the centre, to see if it was long enough or high enough or wide enough, before the final nails were driven into place.

Malcolm, with a pole in his hand, posed as the old dumb servitor who was to row her up the river. It all looked unpromising enough in the broad daylight; the boat with its high stiff prow made of dry goods boxes and covered with black calico, and Lloyd stretched out on the bier in a modern s.h.i.+rtwaist suit with side-combs in her hair. She giggled as she meekly crossed her hands on her breast, with a piece of newspaper folded in one to represent the letter, and a bunch of lilac leaves in the other, which later was to clasp the lily. From under the long eyelashes lying on her cheeks, she smiled mischievously at Malcolm, who was vainly trying to put a decrepit bend into his athletic young back, as he bent over the pole in the att.i.tude of an old, old man.

”Yes, it does look silly now,” admitted Miss Allison in answer to his protest that he felt like a fool. ”But wait till you get on the long white beard and wig I have for you, and the black robe. You'll look like Methuselah. And Lloyd will be covered with a cloth of gold, and her hair will be rippling down all over her shoulders like gold, too. And we've a real lily for the occasion, a long stalk of them. Oh, this tableau is to be the gem of the collection.”

”But half the people here won't understand it,” said Malcolm.

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