Part 14 (1/2)
Phil and I came across a song the othah day that I want you all to heah.
Maybe it will make you change yoah minds.”
Phil protested with many grimaces and much nonsense that he ”could not sing the old songs now.” That he would not ”be butchered to make a Roman holiday.” But all the time he protested, he was stepping toward the piano in a fantastic exaggerated cake-walk that set his audience to laughing. At the first low notes of the accompaniment, he dropped his foolishness and began to sing in a full, sweet voice that brought the old Colonel to the door of his den to listen. Eliot, packing trunks in the upper hall, leaned over the banister:
”I know a place where the sun is like gold, And the cherry blooms burst with snow.
And down underneath is the loveliest nook Where the four-leaf clovers grow.
”One leaf is for hope and one is for faith, And one is for love you know, And G.o.d put another one in for luck.
If you search you will find where they grow.
”And you must have hope and you must have faith.
You must love and be strong, and so If you work, if you wait, you will find the place Where the four-leaf clovers grow.”
It was a sweet, haunting melody that accompanied the words, and the gay party of nine, strolling toward the orchard, hummed it all the way.
There in the shade of the big apple-trees, where the clover grew in thick patches, they began their search; all together at first, then in little groups of twos and threes, until they had hunted over the entire orchard. Stuart, who had been doing more talking than hunting, went to groping industriously around on his hands and knees, when they all came together again after an hour's search.
”Bradford,” he said, emphatically, ”I am beginning to think that you and Miss Joyce are right, and that Paradise has a monopoly on the four-leaf kind. I haven't caught a glimpse of one. Not even its shadow.”
Lloyd held up a handful. ”I found them in several places, thick as hops.”
”Which goes to show,” he insisted, ”that the song, 'If you work, if you wait, you will find the place,' is all a delusion and a snare. You all have worked, and Eugenia and I have waited, and only you, who are 'bawn lucky,' have found any. It's pure luck.”
”No,” interrupted Miles Bradford, ”you can't call strolling around a shady orchard with a pretty girl work, and the song does correspond with the legend. Abdallah worked hard for his first leaf, dug a well with which to bless the thirsty desert for all time. The bit of copper was at the bottom of it. The effort he made for the second almost cost him his life. He rescued a poor slave girl in order to be faithful to a trust imposed in him, and taught her the truths of Allah. The silver leaf was his reward. He found it in the heathen fetish which she gave him in her grat.i.tude. It had been her G.o.d.
”I am not sure about the golden leaf, but I think it was the reward of living a wise and honorable life. The day of his birth it was said that he alone wept, while all around him rejoiced; and he resolved to live so well that at the day of his death he should have no cause for tears, and all around him should mourn. No, I'll not have you belittling my hero, Tremont. There was no luck about it whatsoever. He won the first three leaves by unselfish service, faithfulness to every trust, and wise, honorable living, so that he well deserved that Paradise should bring him perfect happiness.”
”Girls!” cried Betty, her face lighting up, ”_we_ must be warm on the trail, with our Tusitala rings, our Warwick Hall motto, and our Order of Hildegarde. A Road of the Loving Heart is as hard to dig in every one's memory as a well in the desert. If we keep the tryst in all things, we're bound to find the silver leaf, and think of the wisdom it takes to weave with the honor of a Hildegarde!”
Eugenia interrupted her: ”Oh, Betty, _please_ write a legend of the shamrock for girls that will fit modern times. In the old style there are always three brothers or three maidens who start out to find a thing, and only the last one or the youngest one is successful. The others all come to grief. In yours give _everybody_ a chance to be happy.
”There is no reason why _every_ maiden shouldn't find the leaves according to the Tusitala rings and Ederyn's motto and Hildegarde's yardstick. And then, don't you see, they needn't wait till the end of their lives for the diamond, for _the prince_ will bring it! Don't you see? It is his coming that _makes_ the perfect happiness!”
Phil laughed. ”Stuart's face shows how he appreciates that compliment,”
he said, ”and as for me and all the other sons of Adam, oh, fair layde, I make my bow!” Springing to his feet, he swept her an elaborate curtsey, holding out his coat as if it were the ball-gown of some stately dame in a minuet.
Lloyd, sitting on the gra.s.s with her hands clasped on her knees, looked around the circle of smiling faces, and then gave her shoulders a whimsical shrug.
”That's all right if the prince _comes_,” she exclaimed. ”But how is one to get the diamond leaf if he doesn't? Mammy Eastah told my fortune in a teacup, and she said: 'I see a risin' sun, and a row of lovahs, but I don't see you a-takin' any of 'em, honey. Yo' ways am ways of pleasantness, and all yo' paths is peace, but I'se powahful skeered you'se goin' to be an ole maid. I sholy is, if the teacup signs p'int right.'”
”It will be your own fault, then,” answered Phil. ”The row of lovers is there in the teacup for you. You've only to take your pick.”
”But,” began Rob, ”maybe it is just as well that she shouldn't choose any of them. The prince's coming doesn't always bring happiness. Look at old Mr. Deckly. For thirty years he and his fair bride have led a regular cat and dog life. And there are the Twicketts and the Graysons and the Blackstones right in this one little valley, to say nothing of all the troubles one reads of in the papers.”
”No!” contradicted Eugenia, emphatically. ”You have no right to hold them up as examples. It is plainly to be seen that Mrs. Deckly and Mrs.
Twickett and Mrs. Grayson and Mrs. Blackstone were not Hildegardes. They failed to earn their third leaf by doing their weaving wisely. They didn't use their yardsticks. They looked only at the 'village churls,'
and wove their webs to fit their unworthy shoulders, so that the men they married were not princes, and they couldn't bring the diamond leaf.”
”The name of the prince need not always be _Man_, need it?” ventured Joyce. ”Couldn't it be Success? It seems to me that if I had struggled along for years, trying to make the most of my little ability, had worked just as faithfully and wisely at my art as I could, it would be perfect happiness to have the world award me the place of a great artist. It would be as much to me as the diamond leaf that marriage could bring. I should think you'd feel that way, too, Betty, about your writing. There are marriages that are failures just as there are artistic and literary careers that are failures, and there are diamond leaves to reward the work and waiting of old maids, just as there are diamond leaves to reward the Hildegardes who use their yardsticks.