Part 5 (1/2)

Profoundly moved as she was, there was nothing of the distracted or the inadequate about her. Hastings, who had admired her earlier in the evening, saw that her poise was far from overthrown. It seemed to him that she even had considered how to wear with extraordinary effect the brilliant, vari-coloured kimono draped about her. The only criticism of her possible was that, perhaps, she seemed a trifle too imperious--but, for his part, he liked that.

”A thoroughbred!” he catalogued her, mentally.

”You will excuse me, father,” she said from the doorway, ”but I couldn't help hearing.” She thrust forward her chin. ”Oh, I had to hear!--And there's something I have to tell.”

Her glance went at last from Sloane to Hastings as she advanced slowly into the room.

The detective pushed forward a chair for her.

”That's fine, Miss Sloane,” he a.s.sured her. ”I'm sure you're going to help us.”

”It isn't much,” she qualified, ”but I think it's important.”

Still she looked at neither Berne Webster nor Judge Wilton. And only a man trained as Hastings was to keenness of observation would have seen the slight but incessant tremour of her fingers and the constant, convulsive play of the muscles under the light covering of her black silk slippers.

Sloane, alone, had remained seated. She was looking up to Hastings, who stood several feet in front of Webster and the judge.

”I had gone to sleep,” she said, her voice low, but musical and clear.

”I waked up when I heard father moving about--his room is directly under mine; and, now that Aunt Lucy is away, I'm always more or less anxious about him. And I knew he had got quiet earlier, gone to sleep. It wasn't like him to be awake again so soon.

”I sprang out of bed, really very quickly. I listened for a few seconds, but there was no further sound in father's room. The night was unusually quiet. There wasn't a sound--at first. Then I heard something. It was like somebody running, running very fast, outside, on the gra.s.s.”

She paused. Hastings was struck by her air of alertness, or of prepared waiting, of readiness for questions.

”Which way did the footsteps go?” he asked.

”From the house--down the slope, toward the little gate that opens on the road.”

”Then what?”

”I wondered idly what it meant, but it made no serious impression on me.

I listened again for sounds in father's room. There was none. Struck again by the heavy silence--it was almost oppressive, coming after the rain--I went to the window. I stood there, I don't know how long. I think I was day-dreaming, lazily running things over in my mind. I don't think it was very long.

”And then father turned on the light in his room.” She made a quick gesture with her left hand, wonderfully expressive of shock. ”I shall never forget that! The long, narrow panel of light reached out into the dark like an ugly, yellow arm--reached out just far enough to touch and lay hold of the picture there on the gra.s.s; a woman lying on the drenched ground, her face up, and bending over her Judge Wilton and Berne--Mr. Webster.

”I knew she'd been hurt dreadfully; her feet were drawn up, her knees high; and I could see the looks of horror on the men's faces.”

She paused, giving all her strength to the effort to retain her self-control before the a.s.sailing memory of what she had seen.

”That was all, Miss Sloane?” the detective prompted, in a kindly tone.

”Yes, quite,” she said. ”But I'd heard Berne's--what he was saying to you--and the judge's description of what they'd seen; and I thought you would like to know of the footsteps I'd heard--because they were the murderer's; they must have been. I knew it was important, most important.”

”You were entirely right,” he agreed warmly. ”Thank you, very much.”

He went the length of the room and halted by one of the bookcases, a weird, lumpy old figure among the shadows in the corner. He was sc.r.a.ping his cheek with his thumb, and looking at the ceiling, over the rims of his spectacles.

Arthur Sloane sighed his impatience.