C190 (1/2)

The eighth portrait within the Pavilion of Ascending Mist is of wang Zhi Ce

For those who had even a s of history, they would clearly know that wang Zhi Ce is a real legend He had coround of poverty, without any sort of talent for cultivation, yet had successfully entered Heavenly Academy to study

During the period of Eular scribe within the governe of forty, he had suddenly discerned The Way in a single night

Starlight projected upon the entirety of Chang’an, and he direct entered Ethereal Opening froeneration

WhatZhi Ce was learned on both the north and south, being especially gifted on y and tactics He had accons, finally beco the army to successively break the deleHelan Shanxia that was not even 800 miles away from Old Snow city

If it was to be only in ter the importance of the conflict that happened in that period, wang Zhe Ce was thestars, the only person that could be co

With his iht to place eighth upon the portraits of estee Mist; perhaps, according to the views of theto be ranked within the top three

The reason for his ranking of eighth within the pavilion was very si ah, to the point where it had reached the ability to overshadow his liege

More i the Hundred Herb Garden incident that happened during Taizu Emperor’s later years, he had not quickly , Qin Zhong and Yu Gong, to fir

Because of this, even if he was to have achieved even ’s absolute trust

His loyalty in the end was still questioned, due to this, upon the end to the great war, he had retired and returned hoovernmental affairs

Standing before the painting, gazing at the ed man who held a jade rod in hand with a cal ti portraits

Following this, he saw the portraits of Qin Zhong and Yu Gong, these two Divine Generals that had served by the side of Eht, and also still had boundless repute, because currently, whether be it within the Ist the populace, upon their doors they would post portraits of the two; those portraits were exactly the sa Mist

These two Divine Generals were the same as the other virtuous forebears within the pavilion: still human, yet already idols

Chen Chang Sheng’s legs and gaze slowly rasped in his hand; upon the grey walls, the light and darkness shi+fted slightly; the people within the portraits seely had an increase to their sentiment

The people of these paintings were all the saends of the past, with their own respective legends – the atnified, yet the people within the paintings were not as such, they all differed, so Mingjie, while so

Without having used toothe twenty-four portraits on the Eastern wall, these were esteeinally received such an honour when E Mist all those years ago

There were tens of other portraits re, these were esteemed officials ere subsequently entered into the pavilion during the reign of the late Emperor and Her Divine Majesty

Chen Chang Sheng became ever quieter From Emperor Taizu’s revolution of the previous dynasty, to E’s consolidation of the e of the throne; within the history of these long thousand years, a lot of significant events had happened

Those within the pavilion were all witnesses, they were iures that really existed within history, in other words, they were history

Walking within the pavilion alking within the long flow of history itself Those paintings had the ht of history Countless secrets accompanied those that had passed, into oblivion; quietly, without words, but those secrets were here, supporting countless world-shaking histories