Chapter 231 Overture Of Death (1/2)

With such fine and co them completely is extremely arduous In terms of the normal proportion of the “Overture of Death,” it can only be depicted on small and medium-sized alchemy items

To be depicted on a tiny alcheolden arrow,” the alcheic array The fact that the normal proportion of the “Overture of Death” is already so coel can no longer tell with his naked eye whether or not if even the nib of the pen was as thin as a strand of hair If this would be considered too thick to depict thethe scale of proportion is in the latter stage of production for him Before that, he should at least successfully depict the pattern for the”Overture of Death”

Instead of iel took out the < complete=”” collection=”” on=”” enchantment-advanced=””> and continued to flip back and forth

The pattern for the “Overture of Death” is very coic array is stimulated, it can cast a very low audio frequency, which will cause an iy inside the undead In the end, it achieves the purpose of eli, this is an infrasonic attack This sound hose frequency is lower than 20 Hz is a kind of infrasound wave This kind of sound wave has an extreth and isn't easy to produce in ordinary el speculates that the extremely low sound frequency released by the “Overture of Death” y within the undead Resulting in an energy imbalance which causes the undead to collapse

Of course, this is just Angel's conjecture He doesn't have an acoustic spectruel finished reading the chapter on the “Overture of Death,” he didn't stop there but continued flipping back and forth He wanted to see if, in addition to the “Overture of Death” There were other enchantment patterns that were simpler than the “Overture of Death” which can destroy the undead

After spending h the < complete=”” collection=”” on=”” enchantic array enchantel's head only felt dizzy and his eyes full of darkness

Almost all the patterns are as difficult as the “Overture of Death” Only when he looks carefully can he see the difference between lines From a distance, they all seemed to be dark ink el has also seen 13 kinds of ainst the undead, some of which weren't specifically for the undead

For exainally designed to purify the filth and drive out the darkness But it can also be used to purify the filth within the undead and sublimate its soul

The effects of the “Chapter of Mass” has wide range of applications Correspondingly, the nuic patterns that ic patterns, each of which is extremely complex Moreover, it is recorded in the book that the “Chapter of Mass” is basically depicted on large-scale alchemy items The materials that can match the “Chapter of Mass” are also valuable Once successfully produced, it can be used as a strategic iteel's current capabilities, not to mention whether he can depict it or not The cost of materials alone is beyond his ability to afford It can be estimated that price is equivalent to one hundred years of incoanization However, it may not be possible to acquire some of these materials, some of which are close to extinction in the Wizard Plane and Wizard Half-Planes In the end, even if the el can do to smelt these materials at his level When he reaches the level of a forive it a try

To sum it up in only tords froic arrays that destroy the undead are like the “Chapter of Mass” Either impossible or el can only return to the “Overture of Death” in the end

Before that, Angel hesitated for a moment and clicked on the next folder—< complete=”” collection=”” on=”” enchantment-complete=”” volume=””>

This folder has only been opened by hi out the docuel hasn't read the contents of it either

After opening the folder, el only took a glance and saw about 2,000 pictures If a es of space, and one is a pattern and the other is an interpretation Then there are about 1,000 ic arrays recorded in this folder

Compared with the previous introductory, basic, and advanced volumes The complete volume obviously contains el He opens up one picture

With just a cursory glance, he had to close his eyes in horror

What did he see?—Dense lines

Angel has been used to the simple patterns from before, but the reason why this pattern ht is purely that… it was not siic arrays? Instead, are they not really solid geoic array doesn't look difficult There are only 16 ement isn't too dense with the blank parts visible to the naked eye But… Not all of the 16 ic patterns actually appear to have a three-dimensional intersection, three-diered layers

Alcheic array becoel silently presses the “x” in the upper right corner He won't open this folder again, at least… It won't be opened again until he advances to a forel returns to the “Overture of Death” pattern

After some twists and turns, when he looked at the lines on the “Overture of Death” at this tiht it was simple These patterns are so sirateful and cherish these patterns by practising theh the pressure in his heart isthe lines of the “Overture of Death” because he has read every possible ic array is still a probleel quickly came up with a solution

If the nor them look like dark masses, then he'll siel adjusts the projected data and easily enlarged the scale of the “Overture of Death” by 10 times, which is absolutely ih both proportional nification and reduction are indeed the basis of enchantment alchemy However, other people will only spend a lot of tie or reduce the scale after el, on the other hand, directly zooms in and can quickly find the most suitable proportion for his own practice As a result, his growth in enchantnified by 10 times, the “Overture of Death” clearly shows the blank space between each line At the same time, the multi-faceted true features of the “Overture of Death” are also revealed

Looking at the full lines, Angel sighed heavily as he said: “This workload is too large For just a co it will take me at least a day or two to copy it in its entirety No matter what, I have to atteel only had one goal: