Chapter 1382 (1/2)

Pop!

Ding Ning gently snapped his fingers in their stunned sight, and a faint purple flame was burning quietly on his fingertips.

”This... This is?”

Pan Yigang three people suddenly stared like ghosts and stammered.

Ding Ning waved his hand and the flame suddenly disappeared, but this is not the end, but a beginning.

His hand gently grabbed into the air, and then spread his hand. A seed germinated and grew rapidly with the naked eye, and grew into a three foot long sapling in the twinkling of an eye.

Then, the budding flowers and bones bloom quietly on the branches, and the peach blossoms compete for beauty. The strange beauty is like a dream.

The faint fragrance of the flowers was so pleasant that Pan Yigang and others couldn't believe their eyes. They couldn't help reaching out and picking a peach blossom.

”Really, it's actually true. It's definitely a peach blossom just blooming. How is it possible this season? Even magic is not so magical?”

The three men played with the petals in their hands and muttered dully, because they knew that it was only January now and the peach blossoms would not bloom until March. Ding Ning's means had far exceeded the scope of magic.

”Nothing is impossible, but your habitual ideas and thinking have solidified your imagination. Just as you firmly believe that I can't act before the audition, it's unfair to me. Don't you hate it when you don't fully understand each other? But why do you still depend on yourself But will you make such a dogmatic mistake? ”

Ding Ning put away the peach blossom branch with a backhand and said with a slight irony.

Ding Ning doesn't deny that Pan Yigang and Cheng Wenhai are both talented people, but thinks that they think highly of themselves, are too arrogant and don't pay attention to anyone at all.

Talking and laughing, there are great scholars and communicating like baiding. What they say is that they are such conceited people. It seems that except them, the world is a group of ignorant people who eat antiquity and don't deserve to stand side by side with them.

However, what they want to express conflicts with national policies. After repeated setbacks, they have a sense of cynicism. Only under the banner of respecting art can they leave the world and become independent, shoot films that they think reveal the ugly reality of society, and go to the international competition to win awards to affirm their life value.

The so-called family ugliness should not be publicized. In Ding Ning's view, their behavior is an extremely irrational behavior. Strictly speaking, they are selfish actions to improve their reputation by selling the reputation and interests of the motherland.

While they are still complacent about their international awards, they do not realize what kind of negative public opinion their actions have brought to the country.

After learning that the director is Pan Yigang, Ding Ning specially investigated his information. It has to be said that Pan Yigang is indeed an admirable director.

His first award-winning work in the world is called deep well, which tells the story of a coal owner who illegally mined coal, colluding with officials and businessmen and concealing the report of mine accidents.

In order to collect materials, he risked his life to sneak into a private small coal mine illegally mined. He worked as a miner for three months to experience life and nearly died in a mine collapse.

The second award-winning work is called ”lawsuit”, which tells that a village official runs amok in the village, killing the people, bullying men and women, and doing all kinds of evil. A bullied villager refuses to accept and wants to sue, but is beaten by hooligans ordered by the village official, forcibly occupying land and raping women. The police look on coldly and even help the tyrant, which eventually leads to the destruction of the villager's family, The story of an old man's unremitting petition for 17 years before he was able to settle his grievances and get snow. The play shows the arrogance of hooligans and bullies

Hu, the selfishness and indifference of the villagers who dare not say justice for fear of causing trouble, and the ugly face of the police accepting bribes can be described as penetrating.

The third award-winning work is called nail households, which tells the story of a small county engaged in development in the 1980s and 1990s. In order to pay less demolition money, developers ordered local ruffians and hooligans to stop water, power, smash glass, paint, shit, even masked house robbery and other dirty means to refuse to move because they were dissatisfied with the demolition money.

The fourth award-winning work is called indifferent city. It tells the tragic story of migrant workers who were caught by the police, beaten by hooligans and despised by the city people when they were owed wages by the foreman and had no money to go home for the new year. Finally, migrant workers asked for nothing and jumped down from the tallest building in the city.

Part five

Part six

Over the past 20 years, pan Yigang has made a total of 11 films, seven of which have won international awards and won nearly 10 film emperors. After the film, pan Yigang has gained a lot in the international film circle.

His award-winning works are subject types that epitomize the sharp social contradictions in China. From an artistic point of view, they depict the ruthlessness of human nature and social reality incisively and vividly. It is indeed a rare boutique, and the award is well deserved.

But he didn't realize it, or maybe he didn't think so. These films are all built to vilify the domestic environment, vividly put a foolish, backward, absurd, poor, bureaucratic country without human rights in the international sight, and let those who don't know China take it for granted that the films they see are the current situation of China, It has seriously affected the international image of China.

There are indeed some unsatisfactory places in our motherland, but after all, China is a country that has been rebuilt in the war for less than a century. Everything is moving forward in exploration. It is inevitable that there will be some problems, and this is a special period that a developing country must experience, The proper cover is also to avoid finding reasons to criticize the motherland for some countries that do not die.