4383 4383 DLCPM0026700000 SK (1/2)

I don't know if this thing can disappear through touch.

Lynn saw ... the target object this time.

This object, called the 'core of the painting', looks very much like a painting.

To be precise, it is the sky view before.

Of course, when I saw it before, it was very large, but what I see now seems to be reduced. The painting now looks more than ten meters in size.

However, it is exactly the same as what you see outside, except that it has been reduced a lot, and the scenery inside is also densely packed together.

This painting is what the wanderer calls 'core'.

However, it is not as easy to access, because Lin can still see a lot of huge shadows shaking around.

The shapes of these shadows are somewhat like the Ershi people, they are hundreds of meters in size, flashing around the painting from time to time.

These may be the things that guard the painting. Veronica is now about a kilometer away from them, and they have no response.

After watching for a while, Lin fired a hair through.

The flying hair disappeared instantly after approaching the flashing giant shadows.

This feeling seems to be crushed by some huge force.

Lin fired again many times for testing, but every time it was a similar result, whether or not it hit these shadows, the hair that was fired would be destroyed.

But after many tests, Lin also found out why it was destroyed.

This is a kind of system similar to 'laser defense'. Once it comes close, it will be locked and destroyed instantly.

It was not the huge shadows that attacked, but the painting itself.

The painting seemed to have some kind of wonderful power, and Lynn couldn't get close to it casually, but staying here and watching seemed to have no problem.

Next, Lynn tested again many times.

Every time, Lin tried to change the 'state' of her hair, mainly to see what methods could be used to achieve the invisible effect.

After Lin conducted many tests, Lin discovered that there were some ways to dive into it.

Before Lin used almost complete despair as a disguise, but it was useless when approaching this painting.

But it is sufficient to approach the painting with a wonderful emotion.

This emotion is a state of 'with a little hope'.

This is a very interesting state, that is, it feels like there is despair all around, but there is a little bit of hope that guides you forward.

In this state, you can directly approach the painting without being discovered.

After the test, Lin adjusted Veronica to this state and slowly approached the goal.

Flying between those huge shadows, they did not react.

Finally, Veronica successfully reached the picture.

Nothing happened when Lynn touched the picture. It was not something that could be destroyed by contact.

But Lin can feel more interesting emotions, that is this picture ... it is hopeful in itself.

It can be said that there is little feeling of despair.

As this space is full of despair, the painting feels like the only hope.

It may also be because of this, so the emotion can be adjusted to be close to the painting to get close to it.

However, is this really ... the core here?

I have been in contact for a long time, and I can feel the hope inside is wonderful.

It's like a faint light, and it's dark all around.