83 Chapter 83 Continue Preparations (seeking recommended collection) (1/2)

”Hey, Ryan, who are you here?”

Thomas was busy dealing with the photographic effects. In a blink of an eye, he saw a familiar figure leisurely coming to the set.

Ryan, who was writing and drawing on the side, stopped and followed Thomas's sight, and found that Lyman was greeting the crew on the set.

He didn't perfect the scene shooting schedule, so he got up and walked over.

”Are the shooting equipment in place?”

”What about the location. Are those suitable locations for communication and shooting?”

Lehman was asking about the progress of the preparations. Suddenly, there was a feeling of poking in his waist and abdomen. When he turned his head, he saw Ryan's face full of jokes, ”How about it, have you done it over there? It took so long. I'm almost exhausted.”

He is like this, just like a complaining little wife.

”No way, things have been repeated, no, I will come to help as soon as I am done with the actors. Are you not sincere?” Lehman explained.

Ryan has always been responsible for the preparation of the crew. The team is mainly based on the shooting team of ”Three Fools in Bollywood”, but the photography team has become Thomas in charge.After shooting two plays, his studio experience has risen rapidly, and he has a tacit understanding with Lyman, and it is logical to promote him.

George, on the other hand, has been busy communicating props and preferential taxation in the location.

In general, the preparations for the division of labor and cooperation are still only organized.

”It's fine if you are here. You have to make up your mind about many things.”

”Thank you,” Lehman said sincerely.

Ryan just likes to complain. After seeing Lyman coming, he didn't say much, and went back to deal with his own affairs.

Lehman was standing in the Warner Studios leased from Los Angeles and also began to handle the work.

Review Sandy's planning schedule; look through the character clothes drawn by the costume team and the image design of each character; communicate with the set team about the venue arrangement you want...

These are all things that need him to make a decision, so as not to make mistakes or not in line with his vision.

It is impossible for a director to completely break away from the preliminary preparations. With that kind of irresponsible attitude, there are absolutely no exceptions to the work that he produces, except for the street.

Fortunately, Ryan did a good job before. It would be good if all the plans during the shooting process were summarized here for the final review, but even so, it was still busy.

”The photographic effect should be simpler, with brighter colors.”

In the Warner Studios cubicle, Lyman sat in front of a monitor, looked at a sample of experimental footage taken by Thomas, pointed to the effect presented on it, and said: ”The scenes of the war scene can be documented.”

”Okay, I see.” Thomas nodded, and meticulously noted the lens effect that Lehman wanted.

”Here...here...here...”

The two people kept discussing to determine the final style of the film.

The color style of the lens needs to be changed appropriately as the content of the story advances.

These are all to be determined.

This film is different from the dark side of ”Buried Alive”, the brightness and recording technique of ”Three Silly”, and the photographic style of ”Furious” obviously has a simple taste.

After all, the story happened in the far past, during World War II, this kind of slightly nostalgic feeling would be a trick.

In the beginning of the war, the tank team had just killed a watchman. The color of the picture was dark, and when shooting the situation of the entire battlefield, the lens should have the historical weight of a slight yellowing, giving people a sense of reality. The atmosphere; when the recruit Norman joins the team, the color can rise a little brighter; when all of them are killed in the end, the color will dim again.

It can be said that this kind of lens collocation is very knowledgeable and can better set off the characters in the story.

Lehman and Thomas were planning the camera in detail, when suddenly, someone knocked on the office door and pushed in.

Ryan stood at the door with a middle-aged white man.