148 Chapter 148 Simple Soundtrack (seeking subscription recommendation) (1/2)

The headquarters building of Europa Pictures, an editing room.

Ryan is combing and inserting the voice-overs of the movie with his headset, that is, the narration.

Thomas was sitting in front of the editing stage, looking at the rough cut footage of ”Bad Guy”, looking for suitable editing points.

On the ground, two big men hit the floor.

There is no focus in the eyes.

Last night, they edited it all night, which was crazy.

Of course, the two of them were also interested, and the inspiration was surging, and they couldn't stop it.

In this editing, Wen Ziren was also fortunate to be pulled into the group by Lehman.

As a director, it is good to have more relevant experience.

And last night, it was the two of them who worked together in the editing.

After resting for an unknown period of time, Lyman, who was not drowsy, simply sat down and watched the progress of work after Ryan and Thomas took over.

”How much did you do?”

”264 minutes.” Thomas turned his head, his energy looked good, ”There are still more than ten minutes of material left to cut.”

In other words, after they finished filming, they each had a three-day holiday, and then assembled again to complete the post-production work of the film.

Counting the days, as of today, they have been in the editing room for almost a week.

Of course, the progress of the work is correct for their efforts, and now they have started to re-cut.

After all, the post work of ”Bad Guy” is not cumbersome. There is neither excessive use of computer cg special effects, nor the need to render the lens background.

At this rate, Lehman is confident that the entire post-production of the film will be completed in early May.

It is now that he insists that most of the real-life benefits of the lens are truly reflected.

In the following time, the group continued to devote themselves to the movie editing.

After another three days, the recut was completed, and Hans Zimmer’s soundtrack team was invited to Paris to join the production.

Since the last time they completed the ”Furious” project, they have also met each other.

Lehman recognized the abilities of his team, and this time he also looked for them for the soundtrack of ”Bad Guy”.

I cut it again, and the duration of the film was controlled at about 153 minutes.

The time came to May 3, when Luc Besson of Europa Pictures called and said that the movie trailer could be used to promote the promotion.

Lehman had nothing to do, and spent a day dedicated to cut out a 90-second movie trailer.

However, after editing, a special soundtrack is needed.

In this regard, Hans-Zimmer proposed a plan.

”There is a company that specializes in soundtracks for trailers. If you want to launch it quickly, just find them.”

Because the movie requires several original soundtracks for the scene, his team has been busy recently, and there is not much time to score the trailer.

Afterwards, Hans Zimmer briefly introduced the trailer soundtrack company called ”Intuition Music”.

”Currently in the market, their company has a very large music copyright library. Most of these music are very universal music clips. We call it material music in the industry, which is very suitable for the editing of movie trailers.”

The so-called material music is developed with media such as movies, television, radio, and games. ”Intuitive Music” companies are consciously creating some universally usable tunes to license to some film studios or TV stations, radio stations, and games. Production company, to collect copyright fees.

So if everyone hears a piece of music that is familiar, not only can you see it when you play games, but you can also hear it when you watch videos.

It is common for the same material music to appear in various media, and those companies also rely on this multi-faceted authorization to make money.

”Intuition Inc.” is particularly good at movie trailers. Trailers for movies such as ”Independence Day”, ”Mission Impossible”, and ”Harry Potter” all have traces of it.

This kind of professional assembly line mass-produced musical note combination is not only very selective, but also has a high quality guarantee. It can fit the theme of a movie as much as possible, and it also greatly improves the production efficiency of trailers.

With the development of commercial films becoming more and more prosperous and the need for propaganda methods, this kind of trailers with simple soundtracks has gradually become the mainstream of Hollywood.

It can be said to be a product that conforms to the times and market development.

”Okay, I'll get in touch now.”

A day later, the relevant person in charge of ”Intuitive Music” came to Paris and brought a dozen more suitable simple tunes.

After Hans Zimmer's selection, he chose one of them.

To this end, Europa Pictures paid a licensing fee of $100,000.

Don't underestimate the money. After the authorized soundtrack is released in the movie, the right to use it is still in ”Intuitive Music”, and they can also authorize it twice.