Chapter 31 (1/2)

Today's house, with just bought when, just like a change.

Seen from a distance, black tiles, white walls, blue bricks and red columns are clear and bright in color.

The double courtyard door facing the village road, with two strings of lanterns hanging on the eaves.

The courtyard wall is a circle of neat and clean nanmu fences.

In addition to the tall cherry tree on the right side of the yard, a tree altar is made of broken bricks. The distance from the tree altar is a long wooden chair with two backs facing the sun. On the other side, a 2-meter-wide and 5-meter-long flower bed was built by the courtyard wall, in which various unusual flowers and plants were planted. The rest of the open space is paved with green bricks, clean and tidy, with almost no dust.

Two green brick steps are added one meter from the main house.

Three main rooms, now have their own functions, and the division is very clear.

In the middle is the hall. As soon as I entered the north door of the hall, I saw a big Kang with enough room for four people to lie on the west wall. In the middle of the Kang, there was an Yin red case with a wide drawer. On the case, there was a large ceramic fruit plate with pure white flowers. The plate was filled with dried fruits such as peanuts, melon seeds and dried dates. Behind the seats on both sides of the table, there are four pillows embroidered with gold thread on the red background.

In the south of the Kang, there is a niche cabinet without a door. In about ten niches, large and small, there are ornaments that are hard to see in the farmyard. For example, wood carving, root carving and porcelain are not expensive, but for those farmers, these things are almost useless except for their good looks. And these are the treasures that Su Shuipeng found after a day's stroll in the shop, which cost her one or two silver.

On the edge of the cabinet is a reclining chair against the wall, which is also covered with a thin cotton pad embroidered with red gold. With the pillow can be said to benefit from the obstacles, and the furniture made of beech is more interesting.

The lower part of the Kang is close to the east wall, with a pair of armchairs on the left and right sides. In the middle of the chair is a tea table with a pair of covered single ear cups.

The double wooden doors facing south of the hall are wide open, and the sunlight is splashed in wantonly. They are thrown on the extremely clean niche cabinet, which forms a colorful halo.

The wing room on the east side of the hall is now a bedroom. Inside are all kinds of wood furniture with wings.

A two meter wide tug of war bed, set north to South and put. The bed has been covered with a fine cotton curtain with purple flowers on a white background, and the door of the curtain is hung loosely by two wooden hooks. There is a chest with drawers on both sides of the bed door, in which the inner garments and socks of the two people are collected. On the floor in front of the bed between the low cabinets, there is a floor couch with a high palm.

The window position behind the bed is a two pole clothes rack and a round stool with scattered height, which are separated from other spaces in the room by a purple bottom cotton cloth curtain corresponding to the furniture. Here, it turned out to be a simple dressing room.

To the south of the big bed, next to the east wall, there is a big cupboard with five buckets and a three door cupboard with pull-up shoe cupboard.

Next to the wall of the hall, the big bed to the south is a group of upper, middle and lower three stacked overcoat boxes, a piece of one person high open quilt batting cabinet. Then there is the door to the hall, on which there is a curtain of flowers of the same color. A wooden hook is raised from one side.

Under the south window of the bedroom, there is a wide dresser, and niches and drawers of different sizes. They are collecting several jewelry accessories and rouge powder in different categories. A large oval bronze mirror can be seen on the dressing table.

On the right side of the dressing table, at the south corner of the bedroom door, is a two-story flower stand. On the lower shelf is a pot of five golden thread chrysanthemums, and on the upper shelf is a pot of daffodils with green stems and white bracts facing the water.

In the space in the middle of the bedroom, there is a one legged round table surrounded by four round benches. On the table, there is a fruit plate woven with rattan. On the flower pad paved inside, there is a plate full of pastries and crisp sugar.

The wing room to the west of the hall is now the study and the embroidery room.

Next to the window sill in the north, there is a large multifunctional embroidery frame. It's her embroidery tool for the future. On both sides of the embroidery stand a row of half height and two meter long cabinets standing against the wall. It is divided into several grids, which can be used to place all kinds of embroidery needles, threads and rags. You can put neat cloth on the cabinet.

Next to the south window, there is a wide desk with drawers. In front of the desk, there is an armchair with a thin soft cushion embroidered with red and gold threads. Of course, there is also a thickened cushion of the same type which is collected in the cabinet by Su Shuifu. It can be replaced when the weather turns cold.

On the table, there is a big pot of pen, an inkstone, a round necked bottle of lady. There are several golden osmanthus in it, which are fragrant and permeate the whole room.

On the left side of the desk, near the corner of the wall, stands a large porcelain painting cylinder, in which there are two volumes of completed ink paintings, which are the samples that Su Shuizhen is going to embroider on the winter clothes.