Part 1 (1/2)

The Birds and the Bees.

Milly Johnson.

This book is dedicated to two Flowers of Scotland who are gone now and sadly, I will never see their likes againmy darling beloved great-aunts Elizabeth 'Lizzie' Lindie and Helen 'Nelly' Cunningham.

Thank you for the love, the laughs and the Jaffa Cakes.

Acknowledgements.

The Birds and the Bees: As well as being the gentle way of explaining how creatures of nature 'do business with one another', The Birds and the Bees (Eun S'na Sheillein) is also a Scottish country dance originating from the hamlet of Bonniebride (Buinne-Bhrghde) in the former county of Duffs.h.i.+re, famed locally for the large apiary and aviary that once existed there. It is an energetic reel in which couples complete a series of many cast-offs and changes of partner. It is considered extremely fortuitous to dance this at weddings, due to its connections with an ancient ritual dedicated to Creide, faery G.o.ddess of women who ruled over love magick and the search for the perfect mate.

The Sa.s.senach's Guide to the Wonders of Gaelic, by Maggie Knockater.

Chapter 1.

Making a cake for Danny's school raffle was always going to be a messy business, given Stevie's predilection for taste-testing the gloopy, raw mixture at one-minute intervals. Not to mention her impatience in waiting for the blades to stop whisking before she lifted them up, which resulted in her splattering herself and the kitchen with chocolate cream. Then, as usual, the bag of flour split and sent up a white nuclear cloud to descend over all flat surfaces. She really must get a proper flour container, she said to herself for the six-hundredth time, knowing, deep down, that she never would.

With the cake rising nicely in the oven, she was just in the process of licking out the bowl and the big spoon when the doorbell rang. However, there was no need to panic and rush to clean herself up, Stevie decided, as it could only be her friend Catherine bringing Danny home after a post-school romp with her mob and the family mongrels. So she answered the door garnished with flour and enough cocoa on her face to pa.s.s an audition for the part of main slapstick stooge in a Christmas Panto.

The trouble was that it wasn't Catherine. It was, in fact, a big rough-looking man, approximately the size of Edinburgh Castle, with a long auburn ponytail, a wild red beard, a tribal-looking scar on his left cheek and Blutoesque tattooed arms which he used to push gently past Stevie in order to barge straight into her front room like the proverbial bull looking for her best crockery.

'Whurrrissseee?' came a broad Scottish burr that belonged on someone with their face painted half-blue and half-white, wearing a battle kilt and swinging an axe.

'Excuse me, do you mind!' said Stevie, torn between calling the police and reaching for some wet wipes. Tough decision but the wet wipes won on embarra.s.sment points.

'Whurrr's Finch?'

'Who the h.e.l.l are you?'

'Adam MacLean, Joanna MacLean's man.'

So this was the mythical creature Stevie had heard so much about then. This loud, hard intruder standing on her sheepskin rug was him. She gave his big muscular frame a quick once-over. And there she was, thinking Jo had been exaggerating when describing the control-freak nutter she was married to. No wonder Matthew was so sympathetic to her at work. Well, Stevie wasn't going to be scared of him too and cower in a corner of her own home waiting for him to stick his whisky-fuelled boot in, like Jo did.

In the same second, Adam MacLean had affirmed that this woman was, in fact, the greedy, lazy, rarely sober, slob thing that Jo had reported her to be. That's why the kitchen behind her resembled Beirut on a bad day and why she herself looked as if she had been hit at close range by a chocolate bomb. On a binge, most likely. That's what these women who sat at home did all dayeat cakes, drink sherry and watch Trisha. And read all those stupid Midnight Moon c.r.a.ppy romance books that seemed to be littered around the room, he noted. No wonder Jo had been so sympathetic to the poor bloke at work, about to be married to that.

Stevie pulled herself up to her full height of five foot two.

'Matthew is on business in Aberdeen.'

'I think you'll find he's no',' said Adam grimly. 'He's in b.l.o.o.d.y Magalluf with ma Jo!'

'Don't be ridiculous!' said Stevie. Crikey, Matthew had said that the Scot was a possessive, unhinged psycho with the part of his head empty that should have had a brain in it, but she hadn't realized to what degree. Poor Jo.

'I thought you might say that,' said Adam, reaching in his back pocket to bring out a crumpled piece of paper, which he stuck under Stevie's nose. She pulled back, reclaiming some of her personal s.p.a.ce, unfolded it impatiently and looked straight at a confirmation letter of bookings, hotel, flight numbers, today's date and names: Suns.h.i.+ne Holidays, Hotel Flora, Magalluf, Mr Matthew Finch and Ms Joanna MacLean, 25 April for 7 days. It had their address in the top corner: 15 Blossom Lane, Dodmoor. She would have slumped to the chair had the doorbell not rung again.

'Excuse me, it's my son,' said Stevie in a half-daze. She opened the door to find her best friend there, holding the hand of her small bespectacled boy. The half-daze expanded into a full daze as she noticed that Catherine's normally auburn hair was now bright pink, like candyfloss. The only things that were missing were the stick, the plastic bag and a fair in the background.

I'm going mad, thought Stevie, blinking twice, but nothe hair was still pink.

Adam, seeing the guest there on the doorstep, was unsurprised. He noticed the cheap trollop hair. That she had friends who went out looking like that further confirmed his low opinion of the woman in whose house he was standing. And the boy was too old to be Finch's if they had only been together a couple of years. Boy, she sure got around, didn't she?

'Hi, what a day, I've brought Dan-' Catherine looked at her friend's pale and chocolate-splodged face then spotted the man beyond her. 'Are you all right?'

'No, not really,' said Stevie. 'Just got...something...to do.'

Catherine did a quick a.s.sessment of the situation and bobbed down to the little fair-haired boy.

'Danny, let's go for a bun and some orange juice to the cafe round the corner for half an hour. Mummy's just sorting something out.'

'Cool!' said Danny with a face-splitting grin. That was the cherry on the perfect-day cake for him.

Catherine then turned to Stevie. 'Go on, it's fine. I'll see you in a bit.'

'Thanks, Cath,' said Stevie, gulping back a big ball of emotion that she couldn't quite put a name to.

As Stevie came slowly back into the room, Adam said with a subdued cough, 'I'm sorry, I never thought about your wee wan being here.'

Stevie answered him with a glare loaded with loathing as she dropped to the sofa. Adam continued to tower over her like the Cairngorms as he continued, 'I found that note this morning when she'd gone. To a health farm in Wales, so she said. That explained the bikini but didnae explain why she'd taken her pa.s.sporrrt.'

It was all too big to take in. Stevie hoped it was her brain playing tricks on herearly menopause or somethingor that the raw eggs in the cake-mix had caused a rogue hallucination. Something which had become more of a possibility when she saw the state of Catherine's hair.

One part of her head was telling her that Matthew wouldn't ever do anything like that. He'd known how hurt she was by what had happened to her in the past and had sworn that he would never put her through pain like that. Matthew was thoughtful and considerate. Matthew was the sort of man who befriended his work colleague, Jo MacLean, a woman desperately trying to muster the courage to leave her brute of a husband because he made her so unhappyand you couldn't fake those sorts of tears! She and Jo had been shopping together. She had even cooked Jo tea. And bought her a birthday present. Matthew wouldn't have brought her home if there had been anything going onNO! There was no question but that she trusted both of them implicitly. Jo had become a friend in her own right now. Jo was sweet and uncomplicated, and she was lovely to Danny. She had even been allowed to see the dress that was hanging up in the spare room. She and Jo had talked for hours and Jo would be a wedding guest when Stevie put it on and married Matthew in exactly thirty-nine days' time.

However, the other part of her brain governed the eyes, and those were reading over and over again the brutal evidence on the paper that she was still holding limply in her trembling hands.

'You could have made this up yourself on a computer!' Stevie blurted out.

'Aye,' said Adam MacLean, clicking his fingers in an 'I am undone' way. 'Do you know, I have so much spare time I often do things like this. I really must stop it, it's becoming a dreadful habit.'

Okay, so she believed it wasn't a fake. Then again, she knew Jo and she knew Matthew and she didn't know this blaze-haired thug. Then again, Matthew had bought three pairs of shorts last week. For the honeymoon, he'd said. Then again, this was Matthew! Her head felt like a John McEnroe, Bjorn Borg Wimbledon final, batting arguments back and forth over a net of reason. Advantage, deuce, advantage, deuce...

A light bulb went on in Stevie's head.

'I'll ring him!'

'You think he's going tae answer, do ya?' said the big Scot with a mocking laugh. Ignoring him, Stevie picked up the house phone and rang the short-dial for Matthew's number. She waited, heard the dialling tone, and a second later a m.u.f.fled version of the song, 'Goodbye-ee' started playing nearby. Stevie put the phone down, opened a drawer and retrieved the mobile tinkling out its mocking ringtone.

'c.o.c.ky bstarrr',' said Adam with a low but nasty growl.

'It's from Oh What a Lovely War,' explained Stevie. 'It's his favourite musical.'

Those details didn't help either of them. In fact, they made Adam want to not only smack Finch in the teeth but knock them all out as well and replant them in his skull.